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MRR Radio #1587 • 12/10/17

This week Matt pulls some rarities out of the vault to make the scums and punks drool. Intro song: STENGTE DØRER ...

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ATTENTAT!

MRR Radio #1586 • 12/3/17

On this week's MRR Radio, Rob goes ballistic for late '70s and early '80s Bloodstains punk rock from around the ...

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Maximum Rocknroll #416 • Jan 2018

Another new year, another exciting issue of Maximum Rocknroll! MRR #416, our January 2018 issue, begins with a sad note as we ...

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"Who gives a fuck?"

MRR Radio #1585 • 11/26/17

“[...] Elvis gives them a short speech about the death pangs that humanity must go through in order to reach ...

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MRR Radio #1584 • 11/19/17

Another fuct up Rotten Ron and Horrrible Halitosis Punker Power Hour. Intro song: DRUGCHARGE - Husk Rotten Ron fucks it up so you ...

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MRR Radio #1315 • 9/23/12


September 23rd, 2012 by
PlayPlay

MRR Radio is a weekly radio show featuring the best DIY punk, garage rock and hardcore from the astounding, ever-growing Maximum Rocknroll record collection. You can find the MRR Radio podcast, as well as specials, archives, and more info at radio.maximumrocknroll.com. Thanks for listening, and stay tuned!

THIS WEEK: Lydia kicks Rotten Ron & Hal’s Power Hour into full-on mindless mayhem.

Play

Mad Macka at Thee Parkside on 9/21/12.

Intro song:
SIMPLETONES – I Like Drugs

Hal’s Golden Aussie Sandwich
CLONE DEFECTS – Not as Good as Gold
CELEBATE RIFLES – Gonna Cry
P.R.O.B.L.E.M.S. – Remedy
MAD MACKA – Adidas Tracksuit
THE EVIL EYES – Good as Gold

Lydia – Good Day Tunes
THE SPLITS – Crazy for You
POST-REGIMENT – Aniol (Angel)
YOUTH AVOIDERS – Run
MUTANT GENES – Wall Street Blues
PARALISIS INFANTIL – Hijos de Burgueses
PARALISIS INFANTIL – Dios Salvea Romay
ILEGAL – Inutil

Rotten Ron Likes Drugs
SLUGS – The Hour Glass
GHOUL – Kids in America
TERCER MUNDO – Puto Dinero
ANTI-SEEN – Reconstruction
FLIPPER – You Nought Me

Outro song:
ONYAS – Get That Shit Outta Your Face



MRR archives: Maximum Rocknroll #8 • Sept 1983


September 19th, 2012 by

Huzzah! Our MRR Archives series chugs right along, celebrating the magazine’s 30 year anniversary. Here for your enjoyment is Maximum Rocknroll issue #8 (complete download now available here). Our guest introduction for this issue comes from the one and only John Marr, who you may know from his own legendary zine Murder Can Be Fun. On a personal note, John is most near and dear to my heart for he is the person who first got me involved as a MRR shitworker some 29 years ago, and I can attest that his behind-the-scenes account of the OG MRR HQ is 100% true. Read and destroy! — Paul

Click image to download MRR #8!

The first thing to realize in looking back at these early issues of MRR is the unbelievable crude production methods we used. This was when the hot new Apple product was the IIe computer with dual 5¼” floppy drives and desktop publishing but a mad software engineer’s dream. We had no scanners, no computers, no laser printers. We did have an electric typewriter that could, in a jaw dropping display of 1983 technology, print out a justified column of copy. Tim had a friend with a graphic arts camera to make halftones of photos. And we had a full complement of steel rulers, Xacto knives, hand waxers, Letraset lettering, and layout tape. Early issues of MRR were handcrafted, albeit unlovingly.

The focus of our labors was Tim and Jeff’s nice little rented Arts & Crafts bungalow in the then affordable Temescal district of Oakland. (Real estate tip: buy near MRR house, wait 10 years.) During the week, a steady stream of volunteers pounded in every letter, every scene report, every interview into that damn typewriter. (And you wonder why there are so many typos! Spell-check too was on the to-be-invented list.) I did a little of the typing and copy editing; I recall one particularly pleasant hatchet job that turned one prominent punk’s 3,000 words of turgid bombast into a thousand words on how to have punk pen pals. But my main involvement was the big Sunday Afternoon Layout meeting.

We would show up around 2:00 p.m. Tim would distribute the copy and halftones and we would get to work, waxing the copy and photos and madly cropping both to make everything fit. More than one mohawk went down before our Xacto knives! There was generally much hilarity in the air as we went about our layouts, rehashing who punched who at last night’s show or competing in the never ending contest to coin the most generic hardcore band name, some outrageous combination of youth, red, black, flag, and army. The battle raged on. And then those three-letter acronym bands—what did they stand for? More importantly, what should they stand for? I always thought it was sad that so little of this lightness and wit wound up on the printed page. People who bitched about MRR’s dourness would have been absolutely shocked.

This particular issue came out at an interesting time: when the more violent segments of the punk audience were getting identical haircuts and starting the American skinhead “scene.” The letters column was starting to fill with people whining about who-punched-who at the last CBGB matinee.  Perhaps the highlight of the issue is Tim’s interview (on the radio?) with SF Skin-to-be Bob Noxious, singer of the then notorious SF band THE FUCK-UPS. He’s an amazingly unselfconscious subject, almost a unwitting work of folk art with a title like “American Numbskull.” You gotta love an interviewee who says things like “I don’t even wear spikes hardly no more” and who rationalizes knocking out 45 GRAVE’s Dinah Cancer with “she didn’t really take offense to it.” The only thing missing is the interview ending with Bob taking a swing at Tim.

Most of the scene reports are forgettable for all save record collectors. Tim picked them for content. Literary or artistic merit were never considerations. If you could throw together a few hundred words that included plenty of band names and contact addresses and toss in a few photos to be shrunken down beyond recognition, you were in. The Boston report, however, does stick out for being penned by mogul-to-be Gerard Cosloy and as a fine example of “The Promoter’s Lament.” And I do believe I detect my own inept hand in the layout of the Philly scene report—the uneven corners and poor overall graphic sense are dead giveaways.

The band interviews, either you love ‘em or hate ‘em. I hate ‘em; I prefer to hear musicians, not read them. The special report on the then new “skate punk” thing is pretty good, especially the Jaks interview. Don’t feel bad about not grasping the concept of “Absolute Music” unless you too just did a head plant off your skateboard after drinking a shoplifted 6-pack of generic beer.

As for the big gab fest between Dave (MDC), Vic (AOF), and Ian (MINOR THREAT), I am so overwhelmed by a sense of sorrow for the poor shitworker who had to transcribe and type the damn thing that I can’t bear to read it. I’m betting, though, that they all come out as unalterably opposed to Ronald Reagan’s presidency. Pushead’s self-interview is best viewed on the bottom of a 12-year-old’s skateboard, preferably at speed. The Mykel Board piece is kinda fun, although it is but a shadow of the column he would soon being to write. And can you believe an issue of MRR with only two columnists?

A few fun details for the keen eyed: buried in the UK scene report is a picture of GBH captioned “Great Big Haircuts? Or Go Back Home?” The shitworkers have their (very small) say! Buried in the record reviews are early works by GG ALLIN (“idiotic and poorly recorded”), the LYRES (“Now this is more like it!”) and FAITH NO MAN, soon to be re-christened FAITH NO MORE. Even if you don’t read the Dave/Vic/Ian piece, look at the pictures! Tim Y. is plainly visible in the front row of one (Hint: he’s the one that looks like a greasy little vampire.) But if you really want to flaunt your MRR old school credentials, spot (and explain!) the “Annie” on the front cover!

— John Marr, 2012

PDF download of MRR #8 now available in the MRR Webstore!
Read more of our MRR Archives series here.



Record of the Week: SNOB VALUE Whiteout LP


September 18th, 2012 by

Let me start by saying that these boys have been busy busy busy, with their kicking-and-punching first tape, aptly named Keep It Short and Simple – K.I.S.S., in 2009, then another killer tape in 2010, which I also friggin’ loved, so I have anticipated this for quite a while! I can tell that they’ve definitely worked on this LP, and these tracks are doused in indignation, antisocial aggression and contempt for humanity. I can relate: “I don’t give a shit about what you did, when you were my age in 1986 … Sometimes I wish I were deaf, I would have peace at last.” Yes, antisocial hardcore for angry people, reminiscent of USHC classics like the CIRCLE JERKS, DEAD KENNEDYS, MINOR THREAT and more contemporary outfits such as the REGULATIONS and BRUTAL KNIGHTS. The compositions are still tight and catchy but the band has developed them more, with slower, groovier hooks, slower intros, meaner guitar interludes and solos, layers, and the ever-present spiteful vocals; the kind of spite discovered in late adulthood, when you realize adulthood sucks and your peers are a joke!

While SNOB VALUE‘s work has never lacked lyrical aggression or sonic force, these tracks have a more polished production, which makes conventional sense for a debut LP I suppose, though they don’t entirely lack that seedy, subversive sound. Also, the artwork is quite minimal (“contrast reduction, disappeared horizon”) and while it’s handmade and still looks good, it doesn’t compare to their previous punk-ass designs. “1986,” “Hammer & Öl,” and “Whiteout” are the standout tracks. “1986” is dark, honest, ballsy and foaming at the mouth — their pièce de résistance for this album, if you ask me; “Hammer & Öl” is sung in the band’s native German and, of course, sounds all the more menacing for it; and the title track is a SNOB VALUE essential: short and simple, fast, effective, mind-pounding. I’m already flipping this faster than I can keep track of. While I do appreciate the more serious take they seem to have taken on this release, I honestly hope they keep some distortion and dirt intact. It’s that blunt frustration that makes ’em so great! Minor detail: I love it when bands have little messages scratched onto the wax; on ether side of this white 12″ was: “World peace can be fun—Anarchy’s a blast.” Fuck yes!

(Crapoulet Records / Prügelprinz / Spastic Fantastic)



Monday Photo Blog: At the Factory with David Ensminger


September 17th, 2012 by

David Ensminger, zine editor, punk historian, and a few other things I may be forgetting, returns for another  Monday Photo Blog. This time reporting in from Lufkin, TX, which is in the “rural outreaches of East Texas”, at the DIY, all ages space, The Factory.

Social Bliss at The Factory in Lufkin, TX on May 23. 2012. (Photo by David Ensminger)

Social Bliss at The Factory in Lufkin, TX on May 23. 2012. (Photo by David Ensminger)

Crowd at the Factory on May 23, 2012. (Photo by David Ensminger)

No talk in the 80s!! The Hates at The Factory, May 23, 2012. (Photo by David Ensminger)

The Rusty Shacklefords at The Factory, May 23, 2012. (Photo by David Ensminger)

Send your tour photos, bands that have come through your town, the best of your local bands, etc. to: . Include your name, a link to your website (or flickr, Facebook, or whatever), and the band (or subject), date and location of each photo. Just send your best photos — edit tightly. Three to seven photos is plenty, and it’s best to send pictures of different bands. Please do not send watermarked photos. Please make your photos 72 dpi and about 600–800 pixels at the longest side. Not everything sent in will be posted, and a response is not guaranteed, but we do appreciate all of your contributions. Feel free to submit more than once. Thanks!



MRR Radio #1314 • 9/16/12


September 16th, 2012 by
Play

MRR Radio is a weekly radio show featuring the best DIY punk, garage rock and hardcore from the astounding, ever-growing Maximum Rocknroll record collection. You can find the MRR Radio podcast, as well as specials, archives, and more info at radio.maximumrocknroll.com. Thanks for listening, and stay tuned!

THIS WEEK: Dan is old and tired.

Play

Intro song:
PENETRATORS – Teenage Lifestyle

</strong></span><span style="font-family: verdana,arial,helvetica,sans-serif; font-size: x-small;">Scroll down for info on ordering by mail. </span></p> <p><strong>12-month subscription to MRR magazine:</strong><br /> <!--adsense#MRR_12mo_Sub--></p> <p><strong>6-month subscription to MRR magazine:</strong><br /> <!--adsense#6mo_Sub--></p> <p><strong>Subscription renewal for current subscribers:</strong><br /> <!--adsense#Sub_Renewal--></p> <p><img class="alignnone size-full wp-image-3685" title="barbed-wire-500x12" src="http://www.maximumrocknroll.com/wp-content/uploads/2009/03/barbed-wire-500x12.png" alt="" width="500" height="12" /></p> <p><span style="font-family: verdana,arial,helvetica,sans-serif; color: #800000;"><strong>Subscribe by mail</strong></span></p> <p><strong>In the US (via first class mail):</strong><br /> 12-issue subscription – $42 ($46.00 for California residents)<br /> 6-issue subscription – $24 ($26.28 for California residents)<br /> $4 each for single issue ($4.38 for California residents)</p> <p><strong>Canada and Mexico (via airmail):</strong><br /> 12-issue subscription – $57<br /> 6-issue subscription – $32<br /> Package of 5 zines – you request which issues you’d like – $19<br /> $5 each for single issue</p> <p><strong>Everywhere Else in the World (via airmail):</strong><br /> 12-issue subscription – airmail $112<br /> 6-issue subscription – $59<br /> Package of 5 zines – you request which issues you’d like – $20<br /> $10 each for single issue</p> <p><strong>Send check, money order, or well-concealed cash (US dollars only) to:</strong><br /> Maximum Rocknroll • PO Box 460760 • San Francisco, CA 94146-0760 • USA</p> " data-medium-file="" data-large-file="" class=" wp-image-4539 " title="Penetrators" src="http://radio.maximumrocknroll.com/wp-content/uploads/2012/09/Penetrators-435x330.jpg" alt="" width="400" height="310" />

Penetrators. No longer teenagers in this photo.

And now, some new.
CRISIS ALERT – Disconnect
HOAX – Fantasy
SVART STÄDHJÄLP – Mentala Knogjäm
NEON MANIACS – Holdin’ on the Help Line
ESCORBUTO CRÓNICO – Tieso Talegos

New Part Two
FAILURE FACE – Life
DICTADURA – This is the Reality
TENEMENT – Blast Exhaust
DRAPETOMANIA – El Mundo te Komera
REALITY CRISIS – Intro/Stay Free

A is for…
AREA 51 – Hero
ATROCIOUS MADNESS – Shadows of Power/Total Control
ANTI-CIMEX – Victims of a Bomb Raid
ATTITUDE ADJUSTMENT – Dope Fiend
APHASIA – Keep Your Legs Closed and Your Cock in Your Pants

Can’t stand the Northwest
SILLY KILLERS – Knife Manual
ASPIRIN FEAST – World of Shit
BROTHERHOOD – The Deal
SEX VID – Wide Open
E-13 – Pancreatitis

When underprepared, Killed By Death comps are your best friend.
THE LEWD – Kill Yourself
REJECTS – EEG
DEFNICS – 51 Percent
REJECTS – Barbed Wire Baby

Outro song:
THE MODERN LOVERS – Astral Plane