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Vomit Pigs

MRR Radio #1587 • 12/10/17

This week Matt pulls some rarities out of the vault to make the scums and punks drool. Intro song: STENGTE DØRER ...

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ATTENTAT!

MRR Radio #1586 • 12/3/17

On this week's MRR Radio, Rob goes ballistic for late '70s and early '80s Bloodstains punk rock from around the ...

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Maximum Rocknroll #416 • Jan 2018

Another new year, another exciting issue of Maximum Rocknroll! MRR #416, our January 2018 issue, begins with a sad note as we ...

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"Who gives a fuck?"

MRR Radio #1585 • 11/26/17

“[...] Elvis gives them a short speech about the death pangs that humanity must go through in order to reach ...

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MRR Radio #1584 • 11/19/17

Another fuct up Rotten Ron and Horrrible Halitosis Punker Power Hour. Intro song: DRUGCHARGE - Husk Rotten Ron fucks it up so you ...

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Blast From the Past: Straightjacket Nation


July 10th, 2015 by

This originally ran in MRR #301/June ’08, which you can grab here

Interview By Tim Scott

missinglinkMRR: Where/when was Straightjacket Nation born? Listening to your music it becomes quite obvious that your mother was smoking a lot of meth during her pregnancy.

Emily: The band started in early 2004 as a project between me and Dave (guitarist) jamming in the warehouse we lived in called the Pink Palace. In our spare time between our other bands we listened to hardcore music, spread lies about the band to hype it up, wrote songs, and tried to think of people to get to play. We sent tapes of our songs to Dan (as he lived interstate); he wrote lyrics and we eventually found Al at a show fucked up on spray paint, pulled the plastic bag off his head, and asked him if he’d like to go to America in May/June 2008 to play bass in a band called Straightjacket Nation.

 

MRR: What kind of lies were you spreading? Were they about your musical prowess?

Daniel: We lied about everything. We tried to present the band as a bunch of glue-huffing 16-year-olds hipped onto Chaos UK records and Japanese hardcore, using pseudonyms stolen from Australian gangsters and corrupt police. Australia has a pretty interesting gangland history because police corruption is so taken for granted here. This band was intended as a deception.

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Blast From the Past: Kleenex


July 9th, 2015 by

This interview originally ran in MRR #324/May 2010, now sold out
There’s no sense in hiding the fact that Kleenex/LiLiPut (K/L) are my favorite girl punk band. There’s hardly even a reason to qualify them with “girl” and “punk”, as they made more amazing, wild songs than most bands ever will. In just a few short years during the late 1970s-early ‘80s, they shredded apart the rules for how punk was supposed to sound, and how feminists were supposed to look. And it was danceable. At that, K/L always seemed so free to me, existing in some alternate universe where all girls had instruments and record collections, and were determined to start bands. Their music is long out of print, save for Kill Rock Stars’ double-disc anthology from 2001. As their popularity and influence still grip new generations, KRS has once again unleashed Swiss vibrations across the globe. March brings a new CD, live footage, plus a DVD of their tour document, Roadmovie, and clips from Swiss television performances. Additionally, the original anthology will be available on wax for the first time as a 4-LP box set later in May. I hope summer will bloom new bands as a result! Founding member and bassist, Marlene Marder answered some questions for MRR from her home in Zürich.
Intro & Interview by Jess Scott

MRR: A while back I bought that Kleenex diary from you. It’s incredible! A little gift straight from the bins… as if your responsible aunt was saving each magazine clipping along the wild ride. A couple of things strike me about it: There’s a great mix of handwritten zine-type stuff, but also a fair amount of traditional, mainstream, and critic stuff. Did those two forms of documentation seem like different worlds at the time?
Marlene: No, there was this zine-scene and compared to the commercial music magazines, which followed the new music, maybe made it was more serious?

MRR: Can you clarify a bit? Were the commercial magazines serious, or..? Which did you like being featured in more?
Marlene: Difficult to say. It was great to see the magazines in stores; it made it kind of official. The zines were great too, and it felt more familiar, fan-made.
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Reissue of the Week: Tragiedia


July 9th, 2015 by

TRAGIEDIA – “Punk ’Til Destruction” LP
There’s a lot to be excited about with regards to punk in the 2010s, the seemingly endless flood of high-quality reissues being very high on that list. TRAGIEDA’s demos have been circulating among dedicated tape traders for decades, but until now these songs are probably best known via the kind of lackluster POST REGIMENT tribute LP from ’99. Now, finally, we have a quality release of the original material and it’s fucking blazing. Unlike a lot of Polish punk bands which embraced genre-hopping experimentation, this is just straight-up hardcore punk, driven by hard-hitting 1-2 drums, buzzsaw guitars, and pissed-off vocals. The gritty recording quality is preserved in the best possible way, adding a layer of grime to the band’s violent, ugly hardcore attack. It’s hard to articulate just how vital and fucking pissed-off this music is. Even divorced from the context in which it was made this is some of the angriest punk I’ve ever heard, in both presentation and lyrics. You can’t listen to songs like “Krowy” or “Brak Slow” or “Cisza” and feel good about yourself or the state of the world around you—then you look at the lyrics and you just want to die. I wish that this had gotten the super-swank reissue treatment, with a fat booklet of photos and band history and such, but here you get the music and the words and that’s all you really need. If you buy one record based on MRR reviews this month, make it this one. Absolutely essential and long, long overdue. (Andrew Underwood)
(Todo Destruido)



Blast From the Past: Ratas Del Vaticano


July 8th, 2015 by

This originally ran in MRR #318/Nov 2009, which you can grab here

In the City of Monterrey, Mexico, there are four noisy rodents creating punk at the speed of light without crossing the dimension’s barrier of the good old rock ’n’ roll. They are Ratas del Vaticano, and after hunting for them like a stray cat by the roofs, I trapped them so they could answer a few questions. Here we go. Interview by Edwin.

03-ratas-sarahcrews

Photo: Sarah Crews

 

Violeta Malverde (Bass)

Rafael Trenton (Drums)

Joaquin Cordero (Vocal and guitar)

David (Vocal and guitar)

 

MRR: What kind of punk rock has inspired you, I said punk rock eh!?

Violeta: The real one.

Rafael: I think cholopunk would be the best word for our sound.

Joaquin: If by punk rock you mean all those bands from the ’70s, then my favorite bands are the Sods, Anti Nowhere League, the Damned, the Boys, Dead Boys, the Kids, Johnny Thunders and the Heartbreakers, Iggy and the Stooges, Siouxsie and the Banshees, Ramones, Sex Pistols, Hubble Bubble…and the list goes on, you know.

David: The classic stuff and the Mexican old rock ’n’ roll like Three Souls in My Mind, Sindrome del Punk, Massacre 68, and of course good bands from all around the world like the Kids, Parálisis Permanente, Ultimo Resorte, Rudimentary Peni, etc.

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Record of the Week: Gas Chamber


July 8th, 2015 by

GAS CHAMBER – “Stained Hands” EP
Though I must confess that I’ve personally slept on them for far too long, these progressive Buffalo punkers have been turning a lot of heads recently (pun intended) with their left-field take on hardcore, and this record makes it all too easy to see why. The titular track starts out as a meandering, sunbaked slice of anarcho-psych, taking its sweet time before cascading into a cacophonous whirl that is at once ripping and dreamy. The B-side is just a fierce, with desert vibes that would make the MEAT PUPPETS proud, and they even manage to pull off an instrumental track on a hardcore 7”! Getting more mileage out of a chorus pedal than just about any band in contemporary punk (R.I.P. LIFEFORM), I could see this getting filed under the ever-so-saturated banner of “melodic crust,” but this is simply too fuckin’ weird to squeeze into any generic microniche. Cheers to GAS CHAMBER and SPHC for another solid fuck off to hardcore conformity. (Will Blomquist)
(SPHC)