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MRR Radio #1587 • 12/10/17

This week Matt pulls some rarities out of the vault to make the scums and punks drool. Intro song: STENGTE DØRER ...

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ATTENTAT!

MRR Radio #1586 • 12/3/17

On this week's MRR Radio, Rob goes ballistic for late '70s and early '80s Bloodstains punk rock from around the ...

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Maximum Rocknroll #416 • Jan 2018

Another new year, another exciting issue of Maximum Rocknroll! MRR #416, our January 2018 issue, begins with a sad note as we ...

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"Who gives a fuck?"

MRR Radio #1585 • 11/26/17

“[...] Elvis gives them a short speech about the death pangs that humanity must go through in order to reach ...

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MRR Radio #1584 • 11/19/17

Another fuct up Rotten Ron and Horrrible Halitosis Punker Power Hour. Intro song: DRUGCHARGE - Husk Rotten Ron fucks it up so you ...

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MRR Radio #1475 • 10/18/15


October 18th, 2015 by

Sam joins Rob and plays some of his favorites while Rob raids the new bin and throws in a few classics!

Play

Intro song:
NUNSLAUGHTER – Holier

NUNSLAUGHTER (Rest In Power Jim Konya)

NUNSLAUGHTER (Rest In Power Jim Konya)

Rob – New vinyl escapades
RADIOACTIVITY – Battered
MODERNETTES – Barbara
REATARDS – Blew My Mind
ANDY HUMAN & THE REPTOIDS – Blood on the Wall

Sam – Comfortcore
BLATZ – Learning How to Smile
JAWBREAKER – You’re Right
FIFTEEN – Situations
SCREECHING WEASEL – Sunshine
LEATHERFACE – In the Real World

Sam – South east London in the 2000’s
KILLER BICYCLE CONVENTION – Less Haste More Speed
COLONEL MUSTARD – Chemical Julie
FIG LEAVES – No Brains
GEBUS – Freelance Ambulance Driver
X-RAY SPEX – The Day the World Turned Dayglo

Sam – New stuff he is digging
SCRAPER – Rodent
HINDS – Behind Cans
RICHARD ALBUM & THE SINGLES – She Only Wants to Be A Punk

Rob – Time to bring the show to a close with these ragers
SEEIN RED – Riot
CHEETAH CHROME – Life Of Punishment
CONFLICT – Bomb

Outro song:
BLACK BUG – Frozen Energy

Maximum Rocknroll Radio is a weekly radio show and podcast featuring DIY punk, garage rock, hardcore, and more from around the world. Our rotating cast of DJs picks the best of the best from MRR magazine’s astounding, ever-growing vinyl archive. You can find MRR Radio archives, specials, and more at radio.maximumrocknroll.com. Thanks for listening!



Reissue of the Week: Bikini KIll Revolution Girl Style Now LP


October 15th, 2015 by

BIKINI KILL – “Revolution Girl Style Now” LP

BIKINI KILL was my gateway band into DIY punk. I got into them when the first 12” came out, and then the year after they toured the UK with HUGGY BEAR, which was a life-changing experience for fourteen-year-old me. The fact that I have never heard these recordings at all is sort of funny to me now—I was such a maniac fan as a teen and I don’t get why I didn’t try and track this tape down! It’s so fucking incredible! This beautifully done reissue has the songs from their infamous demo and you can clearly see why this recording enabled BIKINI KILL to tour extensively without a record, exactly how they got so much notice/press in the pre-internet age. It’s simply incendiary. Like the Situationist and S.C.U.M. manifestos cut up with added teen girl diary fire. The music sounds eternal yet fresh, referencing early CA punk sounds—the AVENGERS, SIN 34, BLACK FLAG with added X-RAY SPEX. There are a million bands that pay homage to such possibilities and don’t get close to what this band achieve. I mean, it seems almost pointless to write about BIKINI KILL sounds. They are pretty much the MINOR THREAT of the ’90s, a band that transcended genre and had a global reach because of the true and total power and strength of their sound and message. They were a band that made girls and queers want to create their own version of the punk rock ideal, reaching lonely kids in isolated communities that maybe didn’t know about DIY punk. They were charismatic and cool, and listening to this it’s obvious why they were the catalyst for a new feminist punk reality. Kathleen’s voice sounds absolutely incredible, a totally incandescent force of power and fire. This may be the best recording of it I have heard, one that fully demonstrates how this band burned through the world and took over hearts and minds…It just sounds so good! There are two songs that made it onto vinyl back then as compilation tracks (on Give Me Back and one of the Yo Yo comps—and maybe a KRS comp too?!), plus demo versions of some classic songs from the split LP and the first 12” and three insane unreleased songs, which either didn’t fit on the demo tape, or were rejected for sounding unlike the other songs, depending on what you read. It’s really cool listening to these songs in light of what BIKINI KILL became. They very much situate the band’s sound in the context of the Pacific Northwest, providing an idea of them potentially being an almost FLIPPER-esque grunge group! The group love for BABES IN TOYLAND guitar tricks is real…At any rate it’s clear this LP is a must have for all punks, so grab one and then start your own feminist punk action force. This record is an instruction sheet not a rulebook! Make your own. (Layla Gibbon)
(Bikini Kill)



Record of the Week: Aye Nako The Blackest Eye EP


October 14th, 2015 by

AYE NAKO – “The Blackest Eye” 12”

Brooklyn’s AYE NAKO are back with their first release since their 2013 debut LP Unleash Yourself. I know that the band wanted to change their sound after that LP in an attempt to distance themselves from the “pop punk” label and even went as far as talking about releasing a hardcore EP. (I’d love to hear that since “Good Grief” from their demo is still one of my favorite songs of theirs). Instead of hardcore, they went in a completely different direction and delivered a lush, dense, guitar heavy, indie-shitstorm (that’s good) that recalls some of the melodic sensibilities of the best SUPERCHUNK stuff and the guitar noodle-ry (that’s a word) of TED LEO. I don’t use these band names to imply that they’re using these well-worn roadways as a blueprint. I use them as a signifier that AYE NAKO knows their history, they know what the fuck they’re doing and they build on those who have come before them to create their own new beast that is theirs to tame (or not tame) as they see fit. The whole presentation feels like a step up from the band’s previous record, which was no slouch but had moments that felt rushed or not quite fully-realized. There’s no wasted space here. The lyrics dig deep into thoughts on sexual abuse, race, the quagmire of eternal self-doubt, the fucking total-realness of never-ending white supremacy and the insidious ways that it continues to sustain itself. In a music scene that cannot stop focusing on white skin and cis-gender bodies, this record is unapologetically queer, defiant and brown. Plus, it has a lot of sweet hooks. All of these things are important. All of these things are good. I can’t wait to hear what they create next. (Greg Harvester)
(Don Giovanni)



MRR Presents: BIRTHDAY GIRL / THE LIGHT / ÖTZI at The Knockout in SF, Wed. Oct 14th!


October 12th, 2015 by

This month in MRR + Thrillhouse Presents: Oakland comes to SF. BIRTHDAY GIRL keeps getting better and better at their brand of noise rock-influenced punk. Jack might even do a backflip if you ask. THE LIGHT need no introduction, but play harsh and restless dark hardcore. ÖTZI are one of my favorite Bay Area bands, playing dreamy post-punk that’s both end-of-the-world invoking and danceable at the same time. And DJ Nicole Dunn will be spinning punk and metal jams between bands. Dancing encouraged.

9:00 pm, Wed. October 14th at the Knockout
3223 Mission St, San Francisco
$5-10 sliding scale, 21+

https://www.facebook.com/events/170030016673414/

 



Blast From the Past: John Morton


October 12th, 2015 by


SPECIAL JOHN MORTON EDITION! Below you will find an interview that James, the impresario behind Violet Times did for Maximum Rocknroll in 2011, if you want the authentic newsprint feelings you can grab the issue #337 right here.

Since this majestic interview took place a few exciting developments in eels/mortonia have developed that the psychotic minds that are drawn to such ideals might want in on… x___x have a new record coming out! ON the illustrious SMOG VEIL label… Someone unearthed a live JAZZ DESTROYERS set which you can listen to here, fans of Dave E vocal stylings rejoice! You can also send off for John Morton art via his amazing website. I drink coffee out of an electric eels mug daily and it has increased my satisfaction twenty-fold. You can get a post card set! You can also read a great interview that Alex Ratcharge, MRR columnist and arts issue editor, did with John Morton for Ugly Things here.

 


There’s been much written about the musical exploits of the early 70’s Cleveland, Ohio band known as electric eels (yes, lower case as per lead vocalist Dave E’s intention) over the years, some of it true even. The band deservedly looms very large in under-the-counterculture sound circles and I strongly encourage anyone reading this to seek out their music, read about their exploits in a pre-punk world if you haven’t already done so. The liner notes to the 3×10” vinyl offering on Scat Records “Those Were Different Times” are a great place to start, w/ plenty of other stuff out there to read as well. One could even be justified in calling them the very first ‘punk’ band, whatever that means- if nothing else they remain to this day one of the most intense sounding and unique. After all of these years, it very much still is artastic.

In honor of his inclusion in the Violet Times curated art show, Foggy Notion, I decided it would be a good time to find out about some of band leader John Morton’s other little-known doings over the years, specifically his visual art and other music he’s done post- eels.

 

MRR: I’ve been told that only about 100 people total ever saw electric eels, would you agree and care to elaborate on their reaction/s, if any? Especially at the two Columbus, Ohio shows, pre- Extermination Night, where the other performers Mirrors & Rocket From The Tombs would at least be of a non-mainstream music making mindset, also making their own music of a sort not yet known or accepted by the mass ear. What about the non-members of those bands, just ‘regular’ audience members- who the heck were they, why’d they show up and what’d they think? (not presuming you know why they were there, etc. but just saying)

John Morton… 100 sounds like a plausible number. Our fan base, consisted of persons made up of people (who like people) who knew us, such as Bradly Field, Charlotte Pressler, other like-minded band people, such as Dan Didonato and Peter Laughner, at least understood what we were attempting. Family members such as Jill Marotta & Michele Zalopany, well they had to like us.

Our first gig was August of 1974 at the Moonshine Co-op in Columbus. We had the power pulled on us (I’ve heard that that is not a unique occurrence with punk bands, but there were no other “punk” bands at the time.)

We opened for “Hard Sauce” fronted by Jamie “Little Bit of Soul” Lyons. Jamie had one of the best set of pipes I ever heard. Davey and I were arrested that night. I remember every detail. Dave E. wore a trench coat festooned with rattraps, and I wore a safety pin jacket. Jamie bailed Dave E. out of jail. Our career? All downhill after that.

We thought the eels were going to be a huge success on a par with David Blowie (meant affectionately). WE WERE NOT!

I am gratified that we’ve had a modicum of post mortem success.

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