March 18th, 2015 by MRR
What are your main publishing projects?
My two zines that have been going for about three years, Fix My Head (punk, politix, QPOC, interview/theme-based), The Swan The Vulture (personal zine about power dynamics, race, gender, inclusive practices, activism, gentrification, not being a dickhead) and my newly resurrected comic, Distortion, which is up to issue #3. I also am in compilation thingies when people invite me, such as MRR, and a couple of Portland, OR-based comic publications coming up.
What are some of your artistic influences?
My dreams, environment, horror movies, comic artists like Malcy Duff, Edie Fake, John Pham and Richard Hahn. I like abstract comix. I don’t know much about fine art but my favorite painters are Turner, Freud, Schiele, James Gleeson and Peter Booth.
I have had a DIY doom, black metal and noise label for 8–9 years, An Out Recordings, and have been listening to that music, and hardcore, and Delta Blues and ’60s 12-string folk since I was a teenager. All of the above?
How would you describe your style of drawing?
What other punk projects are you involved with?
Besides the theoretical punk bands that get proposed every weekend? My solo folk project. In a doom band, Hreinn, which will start playing shows soon, and trying to drum in something if I can find people to play with in Portland. Just moved here, still making frenz. Other punk projects would be some circle-A groups I’m involved in — Jailbreak PDX, PMA (Portland Mutual Aid) — and my sweet punk haus. My job at a public school is also pretty punk.
What’s in the future for you as a cartoonist/artist?
My illustration work gets commissioned for labels/band art, but as for making comix, I am just starting and still learning E-V-E-R-Y-T-H-I-N-G. I’m having a good time, and I’ll keep doing it until I’m not having a good time any more.
Check out more from Anna at littlestink.wordpress.com.