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AQUARIUM by Martin Sorrondeguy

MRR Radio #1579 • 10/15/17

Strace and Strayla vote MITCH CARDWELL for President of Punk.  Intro song: AQUARIUM - Human Current Sounds from the New Bins MR. WRONG - ...

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Secreto Público

MRR Radio #1578 • 10/8/17

Matt is joined by Ben and Claudia for just another hour of the best new punk and hardcore worldwide! Intro ...

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Maximum Rocknroll #414 • Nov 2017

Are y'all ready for Maximum Rocknroll #414? Our November 2017 issue will teach you a thing or two all about ...

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Flipper rules, OK?

MRR Radio #1577 • 10/1/17

Phillip Greenlief spent an afternoon in the stacks. This is what he came up with. BAD RELIGION - You Are the ...

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Jackal (photo by Zack Rogers)

New Blood! ESCØRT, WITCHTRIAL, JACKAL, VANTA, and UNIVERSAL PEACE

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, ...

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Record of the Week: Gas Chamber


July 8th, 2015 by

GAS CHAMBER – “Stained Hands” EP
Though I must confess that I’ve personally slept on them for far too long, these progressive Buffalo punkers have been turning a lot of heads recently (pun intended) with their left-field take on hardcore, and this record makes it all too easy to see why. The titular track starts out as a meandering, sunbaked slice of anarcho-psych, taking its sweet time before cascading into a cacophonous whirl that is at once ripping and dreamy. The B-side is just a fierce, with desert vibes that would make the MEAT PUPPETS proud, and they even manage to pull off an instrumental track on a hardcore 7”! Getting more mileage out of a chorus pedal than just about any band in contemporary punk (R.I.P. LIFEFORM), I could see this getting filed under the ever-so-saturated banner of “melodic crust,” but this is simply too fuckin’ weird to squeeze into any generic microniche. Cheers to GAS CHAMBER and SPHC for another solid fuck off to hardcore conformity. (Will Blomquist)
(SPHC)



Record of the Week: SIERPIEN Zawsze Nasze LP


February 24th, 2015 by

Sierpien_LPWow, this is such a gem, already a record-of-the-year contender for me and it’s still only spring! Moscow’s SIERPIEN may have recorded this album last year, but it could easily pass for a top-of-the-class recording from 1982, blending and transcending a slew of influences like CRISIS, SIKIERA and the MOB in their quintessentially Eastern European take on dark punk. A studio-only two-piece masquerading as a power trio, the proceedings here are consistently anthemic as all hell; usually cold and yearning, occasionally funky and danceable, and, on songs like “New Middle Ages,” approximating a more anarcho SAD LOVERS AND GIANTS. I could blather on forever—it really is impossible to capture a perfect record in mere words—but trust me when I say this is not the kind of thing you can afford to miss. Simply genius.
(Mass Media)



Record of the Week: NO FAITH Dead Weight EP


November 25th, 2014 by

NoFaithEP

More complete life annihilation from Western Mass, NO FAITH deal in harsh, sludged-out powerviolence, bookended by passages of haunting industrial noise. Featuring most of the same membership as VACCINE (still my favorite straightedge band of all time, sorry nerds), their knee-deep pedigree also includes time in SQRM, ORCHID, AMPERE, and RELICS along with countless others. Some referents from the powerviolence world would include, well, VACCINE, or at times perhaps a totally scummed-out IRON LUNG, but there’s an oozing quality to the production that puts this in a whole other world of sonic nastiness. Lots of MOSS-worthy amplifier worship for those of you who know how to get down, revisiting some of the same territory explored in vocalist Will Killingsworth’s drone/doom solo project the TOLL. The noise segments are fantastic on their own terms and complement the music perfectly, never once feeling like an add-on or afterthought. Honestly, this is just the best shit.
(Clean Plate / Vendetta)