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Vomit Pigs

MRR Radio #1587 • 12/10/17

This week Matt pulls some rarities out of the vault to make the scums and punks drool. Intro song: STENGTE DØRER ...

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ATTENTAT!

MRR Radio #1586 • 12/3/17

On this week's MRR Radio, Rob goes ballistic for late '70s and early '80s Bloodstains punk rock from around the ...

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Maximum Rocknroll #416 • Jan 2018

Another new year, another exciting issue of Maximum Rocknroll! MRR #416, our January 2018 issue, begins with a sad note as we ...

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"Who gives a fuck?"

MRR Radio #1585 • 11/26/17

“[...] Elvis gives them a short speech about the death pangs that humanity must go through in order to reach ...

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MRR Radio #1584 • 11/19/17

Another fuct up Rotten Ron and Horrrible Halitosis Punker Power Hour. Intro song: DRUGCHARGE - Husk Rotten Ron fucks it up so you ...

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Maximum Rocknroll #416 • Jan 2018

Another new year, another exciting issue of Maximum Rocknroll! MRR #416, our January 2018 issue, begins with a sad note as we say goodbye to DIY icon Fred Cole of DEAD MOON, the RATS, PIERCED ARROWS and more. But this issue isn’t all doom and gloom! We have comic artist Liz Prince who gushes all about her love of pop punk and her hopes of converting kids to punks. We also have a double blast of Scandinavian punk: ABORTTI 13 from Finland divulge their dreams of becoming legends, and DIAGNOSIS? BASTARD! have quite a bit to say about violence (or lack thereof) in their native Sweden. Cleveland’s PERVERTS AGAIN reveal their love for pop culture by discussing just how much they love “I Love College” by Asher Roth. Von Beat, the ex-drummer of the RALPHS, reminisces on the early Texas punk/new wave scene, including time spent with labelmate Bobby Soxx. Three different bands from around the globe — Australia’s BENT, Germany’s KENNY KENNY OH OH, and Oakland’s COMPOSITE — all spill about their complex feelings surrounding being femme and playing punk. OXIDANT from North Carolina wax poetic on powerviolence, anxiety, and social power, while Japan’s ZAY talks about defying expectations as a punk supergroup. Need more? Good! You can have all of these interviews plus all of the columnists and reviews that you love to hate to love. Maximum Rocknroll won’t read itself — pick it up and read it!

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You can also order this issue by mail by sending $4.99 in the US, $7 Canada, $9 Mexico, or $11 worldwide to: MRR • PO Box 460760 • San Francisco, CA 94146 • USA …or just SUBSCRIBE!


Still available: MRR #415 • December 2017 issue…

MRR #415

Anti Police-Terror Project, Portland, OR’s No! To Rape Culture collective, the VELVET UNDERGROUND’s Willie “Loco” Alexander, Alabama punk history part 2, Russia’s STRESSHOLD, GRIT from Ireland, Norway’s NEGATIV, photos from Toronto’s Not Dead Yet fest, Fred “Freak” Smith of BEEFEATER obit, plus, from the Sheffield, England scene: Kids of the Lughole label, COMMUNITY, a scene report, and Noise Annoys fest photo spread.

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Maximum Rocknroll #415 • Dec 2017

Check it out, it’s Maximum Rocknroll #415, the December 2017 issue! We are proud to feature an interview conducted by the organizer of the Bay Area’s Evaluate What You Tolerate compilation and zine with Cat Brooks, co-founder of the Anti Police-Terror Project. She speaks at length with us about organizing alternatives to state policing. We also hear from Portland, Oregon’s No! To Rape Culture collective about marginalized people collectively organizing against rape and other forms of oppression. Ex-VELVET UNDERGROUND member Willie “Loco” Alexander spills all about his 50-plus-year-long “so-called career” from his early garage rock years to his modern recordings. We also have part two of our lengthy article about the history of Alabama punk, covering Huntsville, Tuscaloosa, and more! Also included is an article in tribute to the radical life of Fred “Freak” Smith of BEEFEATER. We have a ton of international punk coverage this month! There is a massive feature on Sheffield, England, including a scene report, a mini-interivew with the Kids of the Lughole label, a full-length interview with COMMUNITY, and a photo spread from the Noise Annoys festival. For those hungry more more photos, there’s some fresh shots from Toronto’s Not Dead Yet fest as well. Russia’s STRESSHOLD give exclusive tidbits about touring and feminism in their home country, while Irish punks GRIT describe the politics and gentrification in Ireland. We also get updates about mental health from misanthropic Norwegian punks NEGATIV (who are a lot more positive than you’d expect). Plus you’ll find enough columns and reviews to gossip over for the rest of the month. So what are you waiting for?

Buy MRR #415

You can also order this issue by mail by sending $4.99 in the US, $7 Canada, $9 Mexico, or $11 worldwide to: MRR • PO Box 460760 • San Francisco, CA 94146 • USA …or just SUBSCRIBE.

You can now download this issue of MRR for only $3.98!
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Maximum Rocknroll #414 • Nov 2017

Are y’all ready for Maximum Rocknroll #414? Our November 2017 issue will teach you a thing or two all about the History of Alabama Punk! This issue features the first of a two part series all about the DIY scene throughout Alabama, with this part focusing on Birmingham. But our focus on Alabama is not entirely retrospective; BAD EXAMPLE will catch everybody up to speed on current happenings in Birmingham. We also hear from Bay Area heartthrobs MIDNITE SNAXXX, who run through their tour of Alabama and a slew of other snacky tidbits We also catch up with not one, not two, but three bands as they begin their tours throughout the United States: São Paulo’s CANKRO talk about being an intercontinental band, Chicago’s C.H.E.W. finally reveal the meaning behind their name, and the nomadic PERIOD BOMB unleashes a treatise about the contemporary DIY scene. For international coverage, Sweden’s BRING THE DRONES discuss their supergroup status, Budapest’s PADKAROSDA dissect just what it means to be a Hungarian band, and New Zealand’s UNSANITARY NAPKIN find ways to resist Trump from the other side of the world. We also hear from the friends of Victoria Scalisi from DAMAD who tell us about her kindness and strength in the wake of her passing. And somehow after all of that, we still managed to fit all of the columns and reviews that you’ve come to expect from Maximum Rocknroll! You don’t want to miss this jam-packed issue.

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Maximum Rocknroll #413 • Oct 2017

It’s time for Maximum Rocknroll #413, the October 2017 issue! Do you love KLEENEX/LILIPUT as much as we do? Then you will love the scoop that we have on NEON and their involvement in the early Swiss punk scene. We also speak to Rome’s NOFU on the eve of their first US tour, while LOS IMPUESTOS tell us about the struggles of discovering new music and being a punk in their native Guatemala. Interested in the history of squatting? So is Amy Starecheski, the author of Ours to Lose: When Squatters Became Homeowners in New York City, who spills about an incredibly unique moment in US squatting history. In a dual interview, filmmakers Monika Estrella Negra and Michelle Garza Cervera about combating the dominance of straight white male voices in cinema. And still there’s more: FURY talks about the breakthrough success of their debut LP, MACHO BOYS reveal themselves as huge wrestling fans, BAUS discusses what it means to be an “Oakland” band, and FEATURE reflect on their history just in time for the release of their posthumous LP. That sounds like a lot, right? Add all of the columnists that you hate to love as well as more reviews than you can shake a stick at! Don’t miss this issue!

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Maximum Rocknroll #412 • Sep 2017

It’s time for Maximum Rocknroll #412, the September 2017 issue! We’ve got a lot for you to pore over this month: wanna hear from Alice Bag? She’s here, discussing her career in early LA punk from the BAGS to CASTRATION SQUAD, her books Violence Girl and Pipe Bomb for the Soul, plus her solo recordings and new projects. Want to hear about some of the earliest punk gigs in the Philippines? Rhany Torres was there and he’s here telling us all about the Brave New World gigs in Manila, showcasing bands such as his groups the LOST BOYS and ETHNIC FACES alongside classic Twisted Red Cross acts. There’s more: Denton, TX punks ELIX-R, NO U TURN from Myanmar, FATIGUE representing for the San Francisco firm, Mexico City hardcore courtesy of SACRIFICIO, icy punk insights from Finland’s COLD INSTITUTION, and Copenhagen’s “warm music” impresarios BIG MESS dishing on their love for ABBA and the REPLACEMENTS. On top of that we have photo spreads from First Timers 2017 at DIY Space for London, Nothing Nice To Say Fest 2017, and Springfield, IL’s Dumb Fest. Plus, your monthly dose of must-read columns and hundreds of reviews — all in these pages, and yours for the cost of less than one flexi disc.

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