Los Pepes

Reviews

Los Pepes Out of the Void LP

Delivered from a multicultural London setting, Out of the Void is a classic punky power pop record. Infused with beachy guitar and ’60s-influenced sounds, LOS PEPES know who they want to be. However, this LP was generally unimpressive and sounds too overproduced. The drums aren’t too creative, maintaining their kick and cymbal-heavy rhythms without much deviation. I didn’t care too much for the vocals; there isn’t that harsh quality to vocalist Ben Perrier’s voice, which would make for a more interesting listen. Otherwise, the guitar on “Sweet Appeasement” has a great tone, groovy synth, and it’s the best song on the LP. They change pace a bit in “Undercover,” getting faster before the record ends. Honestly, LOS PEPES seem like they’d be better live than recorded, which must be true considering their impressive booking schedule. My prescription: Listen to Out of the Void live for better results and less studio dampening.

Los Pepes For Everyone LP reissue

This was originally released on Wanda back in 2014. I’m not certain it really needed to get re-released, but I’m a big fan. If you’re into super-catchy power pop, if you prefer that power pop to be mid-tempo, and if you like pretty vocals, this is also for you. It somehow reminds me of the late ’70s and also the BUSY SIGNALS. Good stuff.

Los Pepes The Happiness Program LP

With some power pop, it’s hard to dig deep and really dial in that critical ear. But dig I must, even when part of me just wants to say that like 90% of the genre this album is “fine.” These Londoners probably have the right record collections among them, with touchstones spanning from the ’50s R&B-indebted stabbing piano of the opening track to the more contemporary nod to GENTLEMAN JESSE on “Anecdotes.” Even when the band loosens the collar a bit with crashing guitars on a cut like “Keep Me Alive,” it sounds like they’re still on the leash. It just doesn’t punch through like I want in a good, modern rock’n’roll band. But that’s not to say there’s anything glaringly bad on this full-length. It’s just…fine.