Mortar

Reviews

Mortar Final Victim LP

With a moniker like MORTAR and a cover depicting two crows ravaging a dove, the listener is left with little doubt about this band’s intent: hammering the point home through heavy hardcore punk music. I have to admit I had not paid much attention to MORTAR before although Final Victim is already their second record, so I was curious to hear what they were on about. The band originally started as a one-man project by Jarek, a Polish punk living in London, formerly in MEINHOF and cult band GUERNICA Y LUNO. An instantly striking element of the LP is how downtuned and metallic it sounds, not unlike SKITSYSTEM or WOLFBRIGADE maybe, which confers a rather ominous vibe. It is a well-produced work highlighting the music’s heaviness and its old school groove. Contrary to the Swedish crust hardcore school which MORTAR certainly looks up to, the music is not all about the D-beat pace, as some songs use the classic binary death metal beat, and the distinctly English vocals are shouted in a punk way rather than growled in a metal one, which keeps it spiky. I think that it works well on the whole, it is a focused effort and you can tell they thought it over. I did enjoy listening to the album, but still think it misses that little extra something to make it really compelling.

Mortar Fire & Steel LP

Noisy Polish D-beat crust punk of the metallic form, first started as a solo project by Jay Mortarand then re-recorded with a band, so you can still hear traces of the solo projection. Mid-paced with solid cadences, and you can see the influence of bands like late ’90s FILTH OF MANKIND (who share members with MORTAR). Polish-style metalpunk with their own blend of hardcore and D-beat that goes for somber tones, steady battle sing-alongs, and progressive riffage. You can even hear the ensemble between the first solo effort and then the whole band jumps into the first track, enhancing the project. Interesting work.