It’s the April 2012 issue of MRR, and just in time for election season we have a special issue looking into Ron Paul’s candidacy: what he stands for and what that means for the punks. We also have an epic, hilarious and fascinating interviews with Colin Hagendorf of Slice Harvester zine, longtime Malaysian punk force CARBURETOR DUNG, local melodic punk ragers NEON PISS, LA’s d-beat destroyers KRÜEL, and with Japan’s DAMNABLE EXCITE ZOMBIES who are as maniac as their name would suggest! As part of a series we are running of translated interviews from the killer Italian HC one-pager 10 Anni di Mucchi Selvaggi e Ossa Rotte in Italia, we have the legendary INDIGESTI. And there’s more! We have some Connecticut/ Massachusetts crust from IRON HAND, a continuation of the Finnish hardcore tradition courtesy of LAPINPOLTHAJAT, DARK TIMES from Norway with their rad Midwest-style hardcore sound, and Seattle’s CRIMINAL CODE mine some post-punk territory. All o’ that plus a rad Hawaii scene report, the most extensive review section in punk print, and all those columns you love to hate.
MRR is contributor-driven, which means that we rely on punks like you for content. You don’t need an invitation to be a part of what we do.
For review and radio play consideration, send two copies of vinyl or one copy of CD-only or cassette-only releases to PO Box 3852, Oakland, CA 94609, USA. Send us the final version of your record—we do not review digital releases, test presses, or promo CDs.
We will review everything that falls within our areas of coverage: independent punk, garage, and hardcore. This means no major labels or labels that are exclusively distributed by major-owned distributors. We reserve the right to reject releases on the basis of content. Music without vocals or drums will not be considered.
Every record that is reviewed is added to our archive, the largest collection of punk records in the world. Please allow two months from your mailing date before following up to ask if we’ve received your submission.
We are always looking for interview, scene report, guest column, and photo submissions. Submission does not guarantee publication. In order to improve the chances of your submission being printed, please read our FAQ.
In addition to records, we also review independently published and produced zines, books, and movies. Please send physical copies to PO Box 3852, Oakland, CA 94609, USA. If you have a streaming link to your film, or if it is playing in the San Francisco Bay Area, please email the information to email@example.com.