Crushed Down to Paste LP
I’m certainly intrigued when the first track is called “Jazz Wasps.” Holy shit, I haven’t heard anything with horns in a while. And to hear it working in a punk record is wild and surprising. This is like if the poetic rhythm of INSTIGATORS played as hard as SPITE UK or POLICE BASTARD but with saxophones! The bold venture alone is worth acknowledgement, but damn, I’m really moved by this. Fire solos, steady D-beat with slightly snotty, slightly robotic vocals. Chaos ensues! Some tracks are as fast and outrageous as GAUZE, others as heavy and classically-driven as DOOM. As a saxophone player in my youth, I kind of always wanted to trill over hardcore punk or even ambient black metal, and I find PI$$ER hugely inspiring. The horns are complementary to both guitar and bass—not to be ignored, but in no way steer the intention away from punk. This seriously fucking works! And I’m going nowhere near the “S-word.” More like JOHN ZORN playing DISCHARGE, SORE THROAT, or PLEASANT VALLEY CHILDREN. War-siren, dismal alto octave dissidence as fuck. Lyrics about living and learning and gaining those experiences. “Life = Art / Art = Life!,” as it says in the liner notes. Agreed. I’m not going to get into the amazing band connections this group has, that is not the point. This is totally new. A rad project you’ve done here, PI$$ER.