Reviews

Born Losers

Life in Vacuum Lost LP

LIFE IN VACUUM is very much alt-rock of the ’90s: a big guitar sound with a touch of punk in its louder moments. The songs can take a minute to arrive at the big, stick-in-your-ear chorus. Before that, you’ll get some very pro, pretty verses to provide the build-up. LIFE IN VACUUM could coast on that alone, but they keep the arrangements and guitar lines novel enough, which I appreciated. It’s not a gimmick, but it’s not a cover…they’re bolstered by the singer’s ability to carry both a tune and an anguished roar in equal measure.

Skullpresser Positions of Power LP

This meet-cute of Pennsylvania punks puts on a convincing face for metallic hardcore that tinges on crossover and emo, ultimately resulting in a satisfying blend of styles that cohere into something imminently moshable. It nearly resembles the early blackened rock’n’roll of Norway’s KVELERTAK, at least in the emotional pull it has and its frosty twin guitar licks. It’s heavy, but not dangerous. Cuddly and pissed at the same time, and I don’t mean that in a condescending way. Purveyors of metallic hardcore have been broadening the appeal of the niche for years now, and ultimately I think it’s a good thing to have a little goddamn fun when you’re opening up the pit. That said, if you’re looking for the meanest, gnarliest shit, this is not it. But again, I think that’s a good thing. These are solid ragers with a lot of stylistic changeups that put a smile on my face. And the band is gracious enough to include their debut self-titled EP on Side B. The new stuff hits a little harder, which only shows they’re headed in the right direction. Many a windmill kick will be inspired by tracks like “Chained,” which even throws in some nu-metal influence, now that we all realize we can admit we still bop to SLIPKNOT, and even more so the furious closing track “The World Can See,” which brings proper epic pomp to cap things off. This record is a blast.

Soft Kill Roseland 12″

SOFT KILL from Chicago, Illinois recently released the three-song Roseland 12″. The opening “Blood On My Shoes” is a shoegazing, synth-heavy opus that reminds me heavily of Y2K-era college radio. “Roseland,” the following track, is a bit more upbeat with a lilting dance beat and a very new wave feel. The closing song “Circles” is a cover of DAG NASTY, and is a pretty rocking take on the song. In all, the Roseland release represents the multi-faceted approach to music SOFT KILL has become known for.