Reviews

Bus Stop Press

Confetti Malaise A Thousand Burning Suns LP

If you like synth-heavy coldwave, then let me introduce you to CONFETTI MALAISE from Marseille, France. This initial full-length finds the four-piece band with ten songs that vary in energy from dancefloor swingers to the occasional melodic, emotionally-driven ballads. Hard-hitting bass and ethereal synth and guitar work creates a party atmosphere fit for our present armageddon. There’s something here that reminds me of BLAQK AUDIO, but with an early SOUTHERN DEATH CULT bend. Give this a listen, and I guarantee you’ll be swaying with a Djarum Black in your hand.

Dabblin’ I Was Almost an Astronaut Once cassette

At first listen, my very first thought was that this reminds me of Plan-It-X stuff, but if those bands paid their electricity bills and decided to trade in their acoustic guitars and washboards for amps and loud guitars. This thought remained with me while listening due to the vocals and the delivery of said vocals. My second thought was how fun seeing this band live must be. Eight songs total, with the last one being an acoustic song. All in all a fun release, and one I’ll surely be revisiting. If I had one complaint, it would be that I wish there were just a couple more songs here.

No Dope for the Kids No Dope for the Kids cassette

First off, respect to these Alabama kids for ripping off the NO HOPE FOR THE KIDS record so effectively that my lazy ass thought I was popping in a cassette reissue and I was confused when I heard the sounds. And the sounds, you ask…? Sonically, this hits like INTRO5PECT, or maybe ATOM AND HIS PACKAGE stepping into the future and piss-taking region rock. Ideologically, it’s nice to see a band voice anti-establishment and anti-corporate ideals while acknowledging the impossibly connected world and/or society in which most of us exist. Shit is complicated, and NO DOPE FOR THE KIDS doesn’t shy away from it.

No Drama Papershop / A City Within 7″

This band from Toulouse really leans into labeling themselves as ’90s retro, and I mean, yeah. The A-side especially recalls shimmery indie pop that could have been released on Simple Machines or Teenbeat in the mid-’90s, and their previous EP is kinda grungy. What saves this from being a trite retread is excellent songwriting and performance/production that sounds scrappy and not too slick. I was really not expecting to get anarcho vibes from the B-side, but here we are! It reminds me of the random mellow song that sticks out on a Bullshit Detector comp or some other early ’80s UK comp to benefit a bail fund for hunt saboteurs. It kind of sounds like a really chill MOB or BLYTH POWER song, or later OMEGA TRIBE, in that it’s poppy, for sure, and chill and even pretty, but has a stinky punk soul deep inside.