This sounds like a SAMIAM record. Like almost to a T. The only difference is this band is from Finland. So I suppose take that however you’d like. In fact….this is their bio on the internet: “We are a band. We make melodic music that makes us happy. We sound like Sergie Loobkoff having a knife fight with Matt Pryor and Mike Carter in the ’90s!” So it’s totally intentional, I guess. Fortunately I happen to thoroughly enjoy SAMIAM, so that helps.
Despite their thrasher on the Chaos en France 2 compilation, NO CLASS concentrates on fast skunk on their solo debut (except for the slower “Jah”). However, their sound isn’t quite as chunky as it could profitably be at this point. Pretty good.
The PHOENIX FOUNDATION’s Wait for Me is a one-sided, four-track 12″ from this Finnish band, who’ve been putting out records since the early 2000s. The touchstones floating around them are HÜSKER DÜ and LEATHERFACE, but don’t go in expecting much of the abrasion that made those bands great—this is the smoother, more radio-friendly cousin. The singer delivers a gliding, upper-register performance that feels perpetually on the verge of giving out, riding high over tight, ringing guitars in a way that’s appealing enough but never quite matches the urgency of the drummer. The second song, “Intro,” an instrumental, reminded my buddy Jason of SUPERCHUNK or the bands on Merge Records in the ’90s, and when I told him they were Finnish, he said “That tracks.” This is going to sound crazy, but some of the music brought to mind the BIG BOYS’ song “Which Way to Go,” which might be a more interesting comparison than the band probably deserves. It’s fine, but unlikely to fight its way into regular rotation.
Politically-charged Finnish hardcore in the vein of the HOLY MOUNTAIN and the like. The vocals are all in Finnish, but there are English translations. Standard lyrical content for the genre here (economics, politics, anti-homophobia, environmental, etc.). The production aspect is pretty slick compared with other bands of this ilk, which in my opinion hurts this album a bit. I prefer these bands to have a bit more of a dirtier sound, but again that is my personal opinion. If this sounds like your cup of tea I’d recommend giving this a listen.
Finnish hardcore with a socio-political agenda in the vein of CRASS. Tightly well-produced and executed. Melodic vocals and dissonant guitars that come across angry and urgent, reminiscent of the HOLY MOUNTAIN.
Formed in 1996 in Joensuu, Finland, WASTED re-records some of their earliest work here on Modern Lie. This ain’t no skin-and-bones punk, this is full muscle and gristle: “wrench tossed in the political machine” lyrics, bass bright and up front in the mix, with a combative rhythm. The band might sound like a darker version of NAKED RAYGUN, or something of the like, if it wasn’t for the clever, post-punk guitar riffs layered throughout, in addition to the poignant lyrics, like on the opener “Break You” where they sing “I bet they taught you about global wealth / But did they teach you about mental health.” “True Colors” has my favorite bass and drum groove on the album, while “Trenches” sounds like a call-to-arms anthem, not to be missed. Brothers Ville and Antti Rönkkö have written the band through six other LPs over their 25-plus years as WASTED, and they aren’t here to fuck around. If you need the last veil to be lifted on the first-world illusion of prosperity, tune in to Modern Lie.
