Reviews

Creepozoïd Productions

Bain de Sang Sacrificed for a Load of Filth and Lies LP

This LP opens up with pulverizing, blackened, downturned rippage reminiscent of UNRUH meets AT THE GATES, MISERY INDEX, INSISION, and SKITSYSTEM. BAIN DE SANG of Paris plays intensely tight grindcore with galloping precision while locking up crust-inspired riffs and brutal black metal grimness. At times slightly screeching, BAIN DE SANG always seems to pull back into the realm of hardcore at just the right moment. Powerful rhythms undercut the complete onslaught of technical modern grind. Bestial dark deathcore breakdowns punctuate where necessary, and thrash momentum opens up the cover of “Warsaw”—previous to this track, my favorite homage was done by SWING KIDS. This one brings such smoldering, depressive merit to covering songs. Self-described powerviolence; I wouldn’t go there at all, personally. This is from a warmer place, for lack of a better word. Damn fine French grindcore album.

Aghast / Tekken split 12″

Not to be confused with the two splits these bands have released previously, this one-sided 12″ captures the final recordings from two (extremely) prolific French emo/HC bands who were active throughout the ’00s. AGHAST covers the epic and melodic with anguished vocals department, while TEKKEN takes care of the more chaotic and aggressive Euro HC side of things, blasting their way through a breathless “Porque Todo Tiene Fine” to close the record. Seven tracks total, and limited to just 100 copies—because when it means enough, it’s worth putting it to wax.

V/A Peace, Unity, Noise And Having Fun: Tekken Tribute & Remixes LP

So this compilation LP is apparently a tribute to the French fastcore band TEKKEN. I regret to announce I was not familiar with TEKKEN the band, but it looks as though they were around in the late ’90s and early ’00s, and with some video research, I have realized that they were pretty good! If you like to blast off with CHARLES BRONSON, SPAZZ, DAMNABLE EXCITE ZOMBIES, AGATHOCLES, or even FANTOMAS, or any bands that were forming when fastcore was really breaking into its stride, I have this recommendation for you! There’s also some really bizarre MIDI carnival music, which I must admit I am entertained by, if not perplexed.