Reviews

Dispear

Forma Forma cassette

Debut release from Bilbao, Spain’s FORMA, a mixed female/male-fronted group singing mostly in Italian, with one song (“Itzalen Artean,” I believe) sung in Basque. Songs are heartfelt, angry at times (“Non c’è Spazio”), and run in the post-punk realm, at least in the phaser/effect pedal bass, crunchy rhythms, and clean lead lines way up front in the mix, while the vocals take a little more from a hardcore/melodic hardcore sound. Dynamic sound all around, great mix—music for the good and bad times.

Viceprez Juger LP

These Lyon-based punks hit several pleasure centers at once. Their sound is scrappy and fierce, with enough rumble and groove to air things out while also seriously delivering on the hooks! Citing fellow French energetic melodic punks YOUTH AVOIDERS, and accurately so, this record also hits almost as hard as modern Oi! purveyors such as CHUBBY & THE GANG and the CHISEL. Each track is fun ‘n’ fierce and you’d have a hard time tracing the DNA from some of the members’ tenure in the much more indie outfit SPORT. Most of the music is gritty and full-force, with some interesting detours such as the menacingly repetitive “Driving Around,” which is also the only track that breaks the three-minute mark. Be sure to try out “Rice,” a poverty food anthem that rings true to a hungry belly and sounds straight from the time machine from 1979. Eleven tracks of no bullshit that’s a hell of a lot of fun. If you want more than that, you’re greedy.

Viceprez Tropical Connexion LP

I really liked VICEPREZ’s previous full-length, and this latest is no different. Well, actually, it is a little different. The vocals have a little more bite to them (thanks primarily to centering a different vocalist), and there’s an angular danciness that really suits their no-bullshit garage-y punk. Third track stunner “Love Again” would have been a surprise hit in the ’90s—big crashing drums, snarling vocals, and a big fat hook. The balance of pissed-off energy and melody does have a kind of firm nod to the ’90s in general, but it never sounds dated. There’s even a little bit of HOT SNAKES (a heartfelt RIP to Rick Froberg) afterglow to tracks like “Thru the Cracks,” which nails that band’s particular ability to inspire moshing and pogoing in equal measure—and yes, those are different vibes! Overall, this is a great follow-up to Juger. Nothing has been thrown away outright, but enough has been added to the mix that it’s an exciting evolution without completely having to reinvent from the ground up. Get it in ya.