Reviews

Fish & Cheap

Retrospects Shattered / In My Dreams Before 7″

Hey, who is this singer? It’s the dude from the WHITE WIRES. I’m certain of it. Wait, isn’t “Shattered” even one of their songs? It has to be. This sounds so familiar. This is more new wave than it is power pop, so it’s similar, but definitely not the same. And it’s not just the drum machine. Anyway, if you’re a fan of the WHITE WIRES and think you might like to hear a more new wave version of that band, you should give this a shot. I’ve always been a huge fan, so it makes sense to me that I like it.

Terminal Am I Doing It Right / Hold On 7″

Do yourself a favor. Cue up the A-side here, turn up the volume, throw your phone into another room, and allow yourself to take a ride for the next four-and-a-half minutes. This absolutely crucial single from an early ’80s group from North Wales is required listening. It is anthemic, grandiose stuff by kids—and for kids—who were/are too big for whatever town that was chosen for them. There is a SPRINGSTEEN-like desperation at play here. This is what JOHNNY COUGAR’s “I Need a Lover” might have sounded like if he stayed on Gulcher Records, but he was destined for something bigger, just like TERMINAL could have been/should have been/must have been. This reissue represents the A-sides of both of their only two singles, from 1980 and 1982. While “Am I Doing It Right” conveys a beautiful, sophomoric desperation, interestingly enough, the flipside “Hold On” offers up a more mature, darker edge, and more than holds its own at that. The folks over at Fish & Cheap have done the masses a favor digging up these songs once again.

The Tinopeners I Want You​ / I Don’t Wanna Be 7″

This one’s a bit of an oddity, as one side of the 7” seems to be an incomplete track from the band’s only four recordings ever put to tape. Regardless, it’s cool to see this type of archival work in the flow of punk history. Belfast’s the TINOPENERS were short-lived, but “I Don’t Wanna Be” shows they had a solid knack for power pop. It’s hard to really say where they could have gone since they called it quits so young, but this release is worth checking out for punk historians and bop-appreciators alike.