Reviews

Marthouse

Dr. Sure’s Unusual Practice Remember the Future? Vol. 1 EP

Solid EP from this group of Melbourne nerds. This four-song EP has two distinct sounds: two songs sound like DEVO-inspired new wave pop hits, and two sound like math-y post-punk jams. It doesn’t seem like they would fit together, but they do. “Super Speedy Zippy Whipper” has buzzing synths, call-and-response vocals, and slightly wacky lyrics that combine into a fun, breezy jammer. Third track “Stitch Up” has a similar energy with keyboard lines and background “la-la-la-las.” The other two songs sound like FUGAZI with David Byrne doing vocals. “Collapse” has some slightly atonal guitar work with a bobbing bass line, while “Temperature Talk” has intertwining guitars dueling skewered arpeggios. Combine these elements with the aforementioned vocal style, and you get an odd mix. Synth-laden egg-punk with minor key noodling seems like a terrible combination, like ketchup and gravy, but it sounds good here. The band has the songwriting and personality to pull it off. They sound like PARQUET COURTS in parts, but they are unique enough to stand on their own. Worth checking out!

Dr. Sure’s Unusual Practice Remember the Future? Vol. 2 & 1 LP

It appears as though this Melbourne act has been kicking around for a few years now, but this is certainly the first I’m hearing of them. But given this project’s name and song titles like “Super Speedy Zippy Wipper,” I had a sinking feeling that getting through this was going to be an uphill battle. And I wasn’t wrong. To be fair, the ten tracks on this LP are impressively crafted songs that are a bit post-hardcore and a bit post-punk, and the production comes off as very professional. But this sounds like the KILLERS playing DISMEMBERMENT PLAN songs to me. And I know that punk lyrics aren’t generally the most subtle, but lines like “Chasing infinite growth in dirty energy / But there’s no infinite growth if it’s clean and free” are really hard to take when presented in such a clever-rock context (even if I totally agree with the sentiment). I get the impression that others would like this stuff a lot more than me. So, maybe give it a go—you’ll probably be able to tell within a song or two whether or not this is for you.

Dr. Sure’s Unusual Practice Scomo Goes to Hawaii / While Aus Burns LP

Most of the songs on this Australian group’s record straddles the Present Day Post-Punk Partyline of minimalism, herky-jerky guitar parts, and thumpy ruled-out basslines keeping the erector set rhythms together, but the transistorized burble of synths gives this record character. The closer “10 Million Acres” is the standout track on this, a downcast but moving meditation on the cataclysmic bushfires of 2019, and the layers of loss involved. That song is an absolute must-listen if you want to hear anything from this.

Bench Press / Dr. Sure’s Unusual Practice A Split 7″ Between Friends split EP

Here’s a split of two Aussie post-punk bands fighting the good fight. DR. SURE’S UNUSUAL PRACTICE starts the A-side with their wiry, buzzy guitars, haunted house synths, call-and-response vocals, and metronome-tight drums.  “Great Pacific Garbage Island” brings the tension of our human impact to home, with the line “As the great Pacific garbage island moves in on Hawaii, you’re on my mind.” You’ve probably heard at least something from this lot, they’ve released a lot and are a big name in Melbourne, rightly so! I hadn’t heard anything from BENCH PRESS, but I can see why this “split 7″ between friends” makes sense, as they too are politically engaged in a world that needs youth advocacy. “What you are doing is all wrapped up in politics” is the opening line of “More Than That,” and they do not relent.  Excited to check out BENCH PRESS’s two LPs. The anger on these tracks reminds me of contemporaries MINI SKIRT, but with a more minimal structure. I also read that this is the first record Fellaheen, home of bands like PAVEMENT and BEASTIE BOYS, has put out since the late ’90s, so that might give you an idea of the worth within. Enjoy.

Gut Health Electric Party Chrome Girl EP

Well, this is an interesting one. On my initial listens to this Melbourne five-piece’s debut, I was having trouble nailing down points of comparison. I kept landing somewhere among the contemporary no wave/post-punk scenes of Oakland and Portland. The four tunes on this EP are built around sparse, bass-driven grooves, and harsh guitars play more of a percussive role. So, in that respect they’re not a million miles away from the stuff LITHICS, the WORLD, or COLLATE have made. But it would also be a stretch to say this sounds like any of those bands. It’s more like GUT HEALTH takes that same minimal post-punk foundation, cranks up the tempo, and, instead of making something funky, arty, or cool, layers in goofy synths and exuberant vocal melodies to create something that’s unabashedly new wave pop. Listen to a track like “Lethargic” to get a good sense of the uniqueness of this act—I wouldn’t say this “Kids in America”-meets-JOSIE AND THE PUSSYCATS chorus comes out of nowhere, but it’s definitely not what you would expect given the first 30 seconds of the song. It’s a formula that I think ultimately works due in large part to the tightness of the band and Athina Uh Oh’s commitment to this vocal performance. I’d be really interested to see how well this works live. On record, though, it’s good!

Hideous Sun Demon Development Hell EP

Hailing from Australia, HIDEOUS SUN DEMON absolutely kills it on this 7″, recorded at the legendary Flightless Records HQ. Four tight and punchy punk songs that spit attitude, what else do you really need? Occasionally mixing synths and other psychedelic noises, the sound is reminiscent of OMNI or PREOCCUPATIONS. The final cut “Australia” feels a little slower, more like JOY DIVISION. Overall, very excited to hear more from the group.

It Thing Syrup LP

First release from IT THING, hailing from the far reaches of Tasmania. Post-punk styling with poppier vocals, full of sass and heart. The laid-back, too-cool-for-you (please, don’t be fooled by “Uncool”) energy is not to be missed here, birthed from the malaise of modern life, exemplified in the line “Please change the channel on the tube” from my favorite track “Pet Snakes.” This is on the level of some Aussie contemporaries, like MINI SKIRT, yet stands firmly on its own feet. Syrup was released in November of 2021, and the first pressing is already sold out! Looking forward to more from these folks…

It Thing Constant State / P.C.H. 7″

Anger and energy-infused female-fronted punk from the island of Tasmania, echoing the spirit of the GITS, BRATMOBILE, and X-RAY SPEX with an angrier Poly Styrene delivering the vocals. The two fast, assertive, and tough tracks will make you want to check out their entire catalog (especially 2021’s stellar full-length Syrup) or dust off your LUNACHICKS CDs from the early ’90s.

Moth Machine Nation EP

MOTH is a new recording project from Darcy Berry, whom you may know as the drummer from Melbourne acts GONZO or U-BAHN. He’s playing all the instruments on this four-song EP, and the sound basically splits the difference between those two bands, like he’s pulling the tight, DEVO-esque start-stop rhythms from the former and the synthy post-punk atmospherics from the latter. The end result brings to mind a less wacky URANIUM CLUB or meaner AUSMUTEANTS. These songs are all covering very well-trodden ground, but the execution here is pretty flawless and elevates this EP to something worth seeking out (Mikey Young also mixed and mastered this, so of course it sounds great). Standout track is “Jealousy,” which features Veeka Nazarova (from indie pop band KOSMETIKA) providing lyrics and vocals (in Russian!).