Reviews

Middle Man

Lifes Treading Water LP

Serious contender for my favorite hardcore record of the year over here. Milwaukee duo LIFES have been plugging away with EPs and splits for several years now, and they apparently had been waiting for this one until it was perfect. It is. Sonic destruction of the highest order, with discordant slows and blasts that are nothing short of punishment. Layers of bass tracks are at constant war with dual vocals and drums that struggle to maintain one beat long enough to get you hooked…so instead you just stay anxious. The doses of early ’00s influence come from the chaotic melodies in tracks like “A Four Year Old Contemplates Death,” while the shameless speed and power (and the crushing slows as in “Bitter Cold”) of LIFES that will likely get them lumped in with bands they sound nothing like…well, that’s when they truly sound like no one else. Brutally honest and unforgiving and often uncomfortable lyrically, the voice is delivered with arguably more fury here than the music, which is presented with a fucking massive recording, and any space left in the sound is perfectly filled with sound or samples Á  la MOTHERCOUNTRY MOTHERFUCKERS. A completely excellent and very intentional release that I cannot recommend enough. The title track, “Treading Water,” is on repeat all damn day.

Asthenia / Overo split EP

Two emo bands doing two songs apiece, both attempting to mix ’90s dynamic songwriting with more modern spastic emo. ASTHENIA starts off their side with what might be the best song on this record. It’s a short rocker that musically sounds similar to BRAID’s earlier, less dynamic stuff but with vocals that are more gruff and less sung. It’s unfortunate that the overly frantic screamed vocals at the end of the song feel so contrived. Their second song starts off soft and kind of pretty, tricking you into thinking it’s going to sound like CURRENT and then there it is again, that affected 00s screamo sound. OVERO starts things out with some twinkly Midwest emo that breaks into a heavier chug with hints of hardcore but remains melodic throughout. Two vocalists, the pleading, higher-pitched, sung vocal being far more compelling than the screamed one. This makes the second half of the song really grow on you with its long build and the sung vocal being the star. Their second track feels like a throwaway—47 seconds of uninspired hardcore broken up by a short little delicate guitar noodle.