Reviews

Motorcycle Potluck

Bad Year Bad Year LP

This band advertises themselves as a ’90s throwback, and wouldn’t you know it, they’re certainly not fooling! Melodic, harmonious punk that brings to mind LAGWAGON, SAMIAM, and a hornless LESS THAN JAKE. BAD YEAR sounds like they’d be right at home on one of those early Fat Wreck comps that everyone still gushes over. Really catchy stuff, though. Tight, and produced extremely well. I need to specifically give props to the drummer here, as their dynamics really bring the energy of this record to a whole other level. I won’t lie, I’m usually not a fan of these modern bands who do the retro pop punk sound, but BAD YEAR really pulls it off. This is well worth a couple spins if you’re into this type of thing.

Black Dots I’ve Had It / Are We There Yet? flexi 7″

Fast and powerful punk rock tinged with the heartache of emo—think of a more melodic version of SWINGIN’ UTTERS. This flexi release offers up two new songs, “I’ve Had It” and “Are We There Yet?” Although this is a stand-alone release, these songs are paired with three others on a (digital only?) release titled EP2. “I’ve Had It” is a melancholic parting ways track, starting with “I’m packin’ up and movin’ it along / And maybe I’ll just yell about it in another song,” the simplicity of which I enjoy. The rest of the lyrics come off as trope-y and cliché, but the feeling that moves me in the first line, somehow, carries on throughout. “Are We There Yet?” walks a similar line, buts captivates me less with its chorus “How fucking hard is it? / To find compassion past your own shit?” The message may be positive, ultimately, but this is the kind of thing I can take in very limited doses. But hey, if you’re feeling a little whiny, or pouty even, this may be for you.

Lawsuit Models Unknown Ghosts LP

Mature pop punk? Is that a thing? Like, you can tell this band grew up listening to bands that fell under the umbrella of pop punk for sure, but there’s also some actual elements of something other than three-chord RAMONES-worship. There’s parts that kinda have that DESCENDENTS/ALL/HAGFISH vibe at times. At other times, I am catching ATARIS vibes. I don’t really know how to describe it other than a “radio-friendly” aspect. I suppose that’s not really an accurate term anymore, but I do believe it to be a fair description.

Nato Coles and the Blue Diamond Heavies / State Drugs split cassette

Although I had never heard of STATE DRUGS, it came as no surprise that it was some Americana type stuff which, if you know me, you know I’ll get down with that shit if I have to. Musically, this kinda comes off as WALLFLOWERS, but with an even less inspired singer. Some subdued PAVEMENT feels every now and then, but not enough to grab me and take me on a wild ride. NATO has an organ in the band now (or maybe I just forgot), which just solidifies his weird-yet-unchallenged position as the absolute best “E Street” punk you ever did hear, which, I gotta admit, I can be a fan of sometimes. Oh yeah, the organ on this gives off a total BLUES BROTHERS vibe, which I totally made fun of the first time, but here I am listening to it again. A few whiffs of early LUCERO-style songwriting seem to be creeping into his usual REPLACEMENTS / BRUCE SPRINGSTEEN-inspired tunes this time around. The punks are gonna trash this, for sure, but if you already like Nato’s stuff, these new songs ain’t bad.

Tuff Bluff Poppies flexi EP

Three-song release from this young Denver band, released as a flexi disc. Punk with enough heavy, rough edges to balance the smatterings of pop that lead vocalist and guitarist Sara Fischer sprinkles in. The distinct meandering bass lines tie it all together, almost like a second vocalist. The right mix of Kait Eldridge’s songwriting in BIG EYES and the energy of the SOVIETTES.