Reviews

Papagájův Hlasatel

Davová Psychóza Emancipácia CD

This is the legendary Slovakian punk band’s sixth album as far as I can tell. 1991’s AntropofÁ³bia is still one of my favorites from the region, and they seem to have retained much of that sound and spirit to this day. Except now it’s more melodic, or…emo? Only sometimes—they strike a reasonable balance between shredding and bringing things down to a more sensitive tone. The lyrics translations (on the very tiny lyrics sheet) reveal a really distinct poetic quality I often find in melodic Eastern Euro bands I like. I don’t think I can sell this to today’s hip punks, but if you like European essentials like JUGGLING JUGULARS, POST REGIMENT, or even LA FRACTION, then you should pay at least some attention to this band. Punks from the region certainly already know to pick this up.

Hrdinové Nové Fronty Obyčejní Hrdinové 2xLP

HRDINOVÉ NOVÉ FRONTY was a punk band from Jihlava, about halfway between Prague and Brno in Czechoslovakia. A couple punks from the region have told me they were one of the more legendary bands pre-Velvet Revolution, and this appears to be their second offering from 1987, originally released as a cassette and here on vinyl for the first time. The production is simple but punchy, very vocal-forward, and from what I can tell through internet research it’s considered the pinnacle of HNF’s output. Imagine DEZERTER mixed with DEAD KENNEDYS demos, and maybe a dash of NOMEANSNO. It comes off both direct and sophisticated. PHR puts together a nice package, no translations for us non-Czech speakers but I don’t imagine many folks outside the region are asking for it. I was previously only familiar with the album Válečný Území­, but Obyčejní Hrdinové (“Ordinary Heroes”) is more palatable and probably the best introduction to the band.

Malignant Tumour Maximum Rock ‘N’ Roll CD

Long-running Motörcharged metallic rock’n’rollers coming straight from Czech Republic. I’m here listening for the fourth time perhaps, still trying to decide if it suits MRR or if this would fit better in another kind of publication. Sure enough, cadences are medium-to-fast-paced, crusty metallic forms are there, good riffy guitars, vocals are ragged and familiar to hard rock connoisseurs, but still there’s something that tells me this is a very good production and yet does not reach the fiber that triggers the rage. Favorite track: “Hard Pint of Heavy” in Lemmy’s honor, the missing link that got me through this dense album.

The Last Words Animal World LP

It’s an old story: UK/Irish expats in Australia form a first-wave punk group, then up sticks to London in search of a career. Despite John Peel airplay and an alternative chart hit single in “Animal World,” success never really came knocking for the LAST WORDS, but they did manage to record an anomaly of an album with an early credit for legendary producer Adrian Sherwood. That album makes up the bulk of the tracks here, bookended by the more urgent, snarling tracks from the early singles. Rough-hewn, catchy (but unremarkable) punk with STIFF LITTLE FINGERS-meets-CLASH melodies gets an experimental tape loop treatment that at least makes it memorable, not least on the ahead-of-its-time closing track, a ferocious, psychedelic dub-punk deconstruction of JEFFERSON AIRPLANE’s “White Rabbit.” Worth checking out for sure.

The Vibrators Hunting for You LP

This is a “first time on vinyl” release of this 1994 full-length. Don’t expect Pure Mania or V2 here. Hunting for You is tuneful rock and alternative which was par for the course in the ’90s, I suppose. This is well done with good production from these UK punk originals; it’s just a little light on punk.

The Wilderness The Wilderness III LP

A reissue of this Slovak band’s limited press ten-song 2016 LP that quickly evaporated to collector circles. This balances some real rock’n’roll-based punk (think HEARTBREAKERS, RICHARD HELL, the SAINTS, etc., with some grimy guitar slinging) but with sharp creative reinvestment/updating Á  la CIRCUS LUPUS, and the unpredictable edge of great Eastern European punk albums. The creative turn here also seems rooted in older rock sensibilities, with some of the late ’60s weird post-Sgt. Pepper’s musical adventurism. It’s a remarkably taut and full recording, launching it over the band’s previous outings. While sung entirely in Slovak with no translations provided, a cursory translation leads with “This city is overrun with black cats.” Sturdily packaged in a thick-cut cover, insert, and obi strip, The Wilderness III is an engagingly deft balance of a lot of eras of punk, confidently delivered, and crafted with enough creativity to warrant repeat listens. Cool!

Zeměžluč Kolik A Komu? CD

Brno’s ZEMEZLUC (“Earthworm”) has played powerful straightforward hardcore and chorus-laden punk since 1986(!), and this new sixteen-song album (their first in almost five years) translates to “How Much, To Whom?” There’s so much joy to this record, as it’s just veterans who effortlessly know what they’re doing, throwing out really great riffs and innovative guitar parts and putting forth marching rhythms and strong anthemic choruses. Sung in twisting and scowling Czech, this centers on a mid-tempo pace and is a testament to the well-crafted songwriting that it holds in doing so, as opposed to relying on speed or brutality of impact. Everything is just really well placed; even if you don’t understand Czech, you still want to sing along by the time the songs round to the shout-along parts. The lyrics have that fascinating, deeply thought-out Eastern European existential resistance. A powerful LP for returning fans, and an easy starting point for new ones. Great record!