Reviews

Poison City

Screensaver Decent Shapes LP

Great example here of how a cluster of established, recognizable modes, tics, and tropes can get fed into the sausage machine and come out as something pretty…original. In SCREENSAVER—who started off as a US/AUS split concern and by the point of this, their second album, seem to be specifically Melbourne-based—you can hear the rocking yearning of peak SLEATER-KINNEY, the blunt thunk of early ’80s disco punk, coldwave’s synth-licked gloom (or the modern update of BELGRADO), and high-rolling BANSHEES goth rock. Often some of all of those are happening at once, which is in itself a niche of sorts, but a bigger factor in all this is that SCREENSAVER are really adept songwriters. Hook-crafters, especially, but also their switches between minimal/maximal, clean/fuzzy, throw your hands up/cry into your cider…spend some time with Decent Shapes too, it harbours rewards.

Screensaver Three Lens Approach LP

SCREENSAVER out of Melbourne has been pumping out material for the past six years, and on their latest full-length Three Lens Approach, they invite us to a gothic synth punk dub party that has us dancing to the unexpected shifts between DEVO-ish rhythms to more melancholic “Death Disco” inspirations. Multiple synthesizers fire off as hard-hitting bass lines and fierce guitar licks create an immersive atmosphere, while Krystal Maynard’s vocals are charged and velvety. Occasionally I’m reminded of things like the EPOXIES or CRASH COURSE IN SCIENCE, but SCREENSAVER is definitely carving out a sound that is uniquely their own.