Reviews

Stonehenge

La Fraction De L’Autre Côté LP

The last LA FRACTION album came out in 2007. I drove the band on a North American tour that summer and I saw them play a few dozen times, so I should have known what to expect when I dropped the needle on De L’Autre Cote fifteen years later in 2022, but I was not prepared. Not at all. When Magali’s vocals opened “Tout Va Bien,” I fucking cried. It wasn’t something I could control, and I didn’t try. There is a magic here, and it’s not something I can describe, but the band sounds (appropriately) older, wiser, and more angry than they ever have before. Their fourth full-length is arguably their best—Magali sounds like she is doing battle with DeDe’s guitar while Boris’s drums push everything forward. It’s a perfect band, really…it always has been. And while I knew that before I started listening to this record, I was still, somehow, not at all prepared. Bands (particularly punk bands) are simply not supposed to get better with age, but LA FRACTION have defined themselves with this album, and I feel like I don’t want to listen to anything else. Ever.

Radical Kitten Silence is Violence LP

Bare-bones bass and drums provide a pummeling backdrop for the gearhead guitarist to venture off into experimental territory. Pairing post-punk and noise with a DIY fervor reminiscent of TANK GIRL, this band’s got a lot to say, both sonically and lyrically. They rail against societal inequities with dissonant walls of guitar interspersed with vocals that are at times melodic, at times a piercing shriek. Many of these songs start with a musical intro that slowly builds into a crescendo, but I have to say my personal faves are the ones that get right down to business. Songs like “Wrong” and “I Don’t Wanna” showcase just how tight the band is, and have a momentum that is undeniable.