Berlin’s FUNERAL DAMAGE returns with an absolutely punishing slab of noisy, nihilistic hardcore. Muerte is soaked in dread, feedback, and reverb-heavy vocals that echo from the underground. Think DEFORMITY meets DESTINO FINAL with an added layer of Eastern European menace. The lyrics hit hard even when screamed in Spanish, the riffs are dense and gritty, and the whole LP feels like getting buried alive under bricks of drumming. Raw and essential.
Splits are always a fun showcase of like-minded bands sharing the medium of art to demonstrate their abilities. This is a split between raw punk aficionados BASTARDESTROYER from Indonesia and fastcore unit GORC from the Czech Republic. Expect violent tunes played at light speed and crusty boot stomps all over your eardrums. Also a gem for true Scandinavian hardcore maniacs in the form of a cover of “Criminal Trap” by the masters ANTI-CIMEX.
Jesus Christ, did they find enough labels to help release this thing? Classic fastcore powerviolence, but both bands sound different enough to keep things interesting. MEXOFF pulls double grunting vocal duties, sounding like MAN IS THE BASTARD and CAPTAIN THREE LEG with a very prominent, heavy bass. There’s a bit of a crusty edge here as well. NEGATIVE PATH leans a little closer to the D-beat side of the spectrum and is a tad more guitar-heavy, with thrash-like solos and unique vocal tones; they sound like a pack of wild coyotes. There’s over two dozen tracks piled onto this disc and none of them go over a minute-and-a-half. That’s pure perfection right there.
In sci-fi movies, especially in the ’80s, time machines are always a big deal: incredible technological feats involving years of studies, vast amounts of unstable nuclear energy, and the possibility of changing the course of history. Listening to KIBERA is a much safer way to travel back in time, although it will not get you farther than the mid-’00s crust dimension. This Czech band plays raw, dark, and aggressive neocrust with harsh female vocals. I am definitely reminded of bands like AMBULANCE, EKKAIA, or even SCHIFOSI, back when the core of the subgenre still relied on the punkier, more direct side of the spectrum rather than the more emotional or polished “post-hardcore” one. The six songs on this LP are firmly rooted in primitive, angry hardcore, and the listening experience is therefore pleasant if you like depressive crust. KIBERA shares the split with SOLITÄR, a rather new Prague-based unit that delivers direct, fast, and furious crustcore. Of course with a name like this, it’s hard not to get the heavy nod: yes, these people are into TOTALITÄR. But, even though there is an influence (especially riff-wise), I would not place the band in the käng drawer overall, but clearly in the crust basement. There is a lot of energy on this recording, and it certainly more than makes up for some moments that don’t totally work for me. The relentless feel really works well here, and on that level I am reminded of bands like INFEKCJA, local classics like MASS GENOCIDE PROCESS or even MASSGRAVE, or some Brazilian thrashing hardcore at times (because of the fast-paced vocals, probably). On the whole, a solid split LP, and a relevant display of fast and aggressive punk music from Czechia.
