Reviews

Svart

Pyhät Nuket Kuoleman Sotatanssi LP reissue

PYHÄT NUKET was formed by Finnish punks Lasse Aaltonen and Juha Nabb while their main outfit, the legendary RIISTETYT, was taking a break, and after this short-lived project was finished, most of the musicians went on to NUKET. PYHÄT NUKET was far from their main gig, delving more and more into goth and new wave territory, but you can just call it post-punk—catchy and bright anthems for the goth that resides inside each punk. Kuoleman Sotatanssi has now reached a cult classic status in the underground scene and has seen a reissue courtesy of Svart Records.

Vitamin X Ride the Apocalypse CD

Hardcore thrash titans VITAMIN X have been around the block, and it shows on their seventh album, Ride the Apocalypse. A pristine display of experience and skill, these seventeen tracks show a band who can seemingly write ripper after ripper in their sleep. Melding hardcore punk with metallic crossover, the formula works and sounds classic right out of the gate with riffs on riffs, a rock-solid rhythm section, and vocals that call back to classic NYHC. I have no more notes, this is the top of the pile for this style, made all the more legit with Andrei Bouzikov’s killer artwork and Joel Grind’s beefy mastering.

Vivisektio Uusi Normaali LP

VIVISEKTIO has a uniquely fascinating biography. Having formed and operated for a brief three-year period in the early ’80s, the band hailed from the Lapland region of Finland and played most of their gigs north of the Arctic Circle. This fact apparently even inspired a Trivial Pursuit question! Following this initial stint, VIVISEKTIO reformed in 2008 and has been periodically releasing albums ever since. This latest offering bears all the hallmarks of classic Finnish hardcore, bringing to mind KOHU-63 and RATTUS. Most of the thirteen songs are short, fast, and jam-packed with riffs, but tracks like “Sotakuume” mix things up by injecting peace punk rhythms into the formula. Closing out the album, “Uusi Järjestys” is a downtempo cut that veers into post-punk territory with a nod to early KILLING JOKE. Altogether, a powerful release building on a compelling legacy. Highly recommended.