Posthumous release from probably the widest-known recent Hungarian band in DIY punk. As I know PADKAROSDA broke up and most of the members continued in a similar vein (but different enough in nuances) with a band called SÜLLYEDŐ VILÁG, it therefore has surprised me they still have new releases. They were one of the most consistent bands on the local Budapest scene—summarizing in a mean way, they wrote one really good song and played it a few dozen times. Construing my meanness, they went the rare extra mile, which is figuring out a signature sound. If you think about it, one of the key elements in great bands is that you are able to identify them even on a blind listen. So it turns out that it’s not the song which is the same, but rather their idea and craft is consistent. Speaking about the music, PADKAROSDA plays Eastern Bloc-flavored post-punk, which does not shy away from grabbing little bits from early European hardcore, either. On Sötét Végek (“Dark Ends”), they tame and stretch their songs, using tight mid-tempo rhythms and giving a generous amount of space for drums and bass while the guitars sometimes just assist for the evil-sounding and a bit dramatic vocals. When the guitars work then, they swirl as a vortex that sucks civilizations into an abyss. They remind me of CROW PEOPLE, because here as well, the atmosphere is the heaviest and there is just enough role for the guitars to snake through each song and get a good grab on the listener, instead spreading out in the whole sound spectrum. Based on records like this, I am not surprised PADKAROSDA was able to step out from the unknown mass of the local scene—they deserve this recognition, and if you are into super gloomy post-punk that is still very punk, you deserve this record, too.