Krieg Kopf War on Terrorism LP

First vinyl collection from this early 80s NYHC group, comprised of re-recorded songs from two cassette releases and a live track. Although this is most recommended to folks who were there at the time, War on Terror offers an interesting time capsule of regional punk full of influences from the era’s luminaries. Most of the songs are straight-ahead hardcore with a fast part, a slow breakdown, and a fast part again. Sonically, they sound similar to Victim in Pain-era AGNOSTIC FRONT, and I definitely hear MINOR THREAT, especially on songs like “Hasty Ambush,” where vocalist Jason Deranged adopts an Ian-style holler. While the template is familiar, the speed, tightness, and punchy bass of the band makes me wonder why they don’t have a higher historical profile. There are some West Coast fingerprints on this album too though, such as the frequent Greg Ginn-esque atonal psych guitar fills, Fresh Fruit snaky spy guitar lines, and a pronounced Jello-affected warble on “Immortal.” Short bursts like “Terrorism,” “Warhead,” “Gun Power,” and the great sing-along chorus of “The Work Song” (the standout from the album for me) are all quality, vintage adrenaline hits. The band stretches out on a few songs, over the three-minute mark with one track, with forays into spoken-word lyrics, funky bass, and guitar solos that, frankly, did not age well. Paranoia about Cold War-era nuclear proliferation in “The Atom Bomb” makes total sense for the time, but the quasi-rap in “Violent Reaction” with the line “I’ve got to break loose on the dance floor” about fighting at shows is tiresome. Check it out if you have a soft spot for classic NYHC.