Agonista

Reviews

Agonista Grey and Dry LP

I was unaware of AGONISTA before this review, which goes to show that there are still many fish in the sea indeed, and one is never far from a good surprise (or a terrible one, unfortunately). It would be far-fetched to claim that this band, located between Tijuana and San Diego, had a wheel to reinvent, and I think I like the idea of the band more than I do this album. AGONISTA can be said to belong to the long-running Tijuana crust tradition (or “crust mafia,” as COACCION put it), and from this perspective, I understand what they are trying to achieve—a blend of ’90s Scandicrust with some rocking metal influences (the vocal style points in that direction) and a touch of dark post-hardcore. I’m getting a big ’00s vibe here, as the songwriting is clearly more diverse than your average crustcore band in terms of pacing and transitions. Like COP ON FIRE covering STATE OF FEAR and DRILLER KILLER at an ’00s post-hardcore afterparty. The band is really tight, but the production is too clean for my liking, and Grey and Dry’s sound is lacking in raw punk brutality for a Scandicrust album (from my perception of and expectations from the genre, anyway) and doesn’t really do justice to the songs. I’m sure it would appeal to those who prefer a modern hardcore production in their crust, though. The lyrics are both in Spanish and English, which I enjoy as they reflect the band’s in-between-ness and bring some political context.

Agonista Embusteros 10″

AGONISTA consists of San Diego and Tijuana scene veterans who in the past 25 years appeared in BUMBKLAATT, SWING KIDS, SOME GIRLS, RUN FOR YOUR FUCKING LIFE and SPANAKORZO, to name a few. In contrast to some of their previous outlets, AGONISTA plays what they themselves might consider a rather “traditional” brand of hardcore: a tight crustcore/’90s Swedish HC approach sung both Spanish and English, something along the lines of DISRUPT, STATE OF FEAR, SEVERED HEAD OF STATE, UNCURBED that was found in the Prank or Distortion Records catalogs a generation back. AGONISTA carries on the tradition particular to the Tijuanese crustcore style that centered around DISCORDIA (members of which went on to BUMBKLAATT and COÄCCION in the ’00s). Being a cross-border band between the US and Mexico, they directly feel and experience the complex reality between the two countries in their daily lives. Their output seems to be the direct friction from the socioeconomic differences spawned from the systematic oppression of people’s lives tangled by racism, drug abuse, financial instability, and violence. Embusteros sounds like a burst of the filthy remnants that have been forcefully hidden underneath the rug by the “America’s Finest City” and the feeling of anger and frustration in order to survive in “Sin City.”