Clown Sounds

Reviews

Clown Sounds / Softjaw Volume 2 split 7″

What a fantastic little throwback record this is. One song on each side, one flavor of sweet power pop on each side. The A-side belongs to SOFTJAW, who channel early power pop and some ’60s vibes (in the good BEACH BOYS way, not the bad hippie-dippy kind of way) on the undeniable earworm “Don’t Go Walking Out.” The key here is the layering of the vocal harmonies on one end and the different guitar sounds on the other. A little jangle here, a little reverb there, some clean sounds…it all comes together almost mathematically on the song. Like the ARCHIES, but with the craft on it taken up to eleven. Sadly, one of the members of the band passed away after this recording, but per a note with the record, some of his remaining recordings will be coming out in 2026 under the name UNCLE GRIMM on the same label. If it is anything like this, I will 100% be snagging that record. The B-side belongs to CLOWN SOUNDS and sounds like a lost PAUL WESTERBERG tune circa the Eventually album. Of course, that means there’s a small dose of ELVIS COSTELLO to this, but man, is it well-executed. I know those two reference points stand tall and may generate expectations, but this 7″ blew me the fuck away—I was not familiar with either act and I consider myself a fan of both now.

Clown Sounds Par for the Curse cassette

This is the cassette version of the third album for California-based CLOWN SOUNDS. There is an LP version as well, which apparently has a bunch of liner notes and a zine which allegedly explains the concept of this release, none of which are included with the cassette version. I don’t know, it’s an unpleasant mixture of modern pop punk, blues rock, cowpunk, reggae, rock-en-general, and chicken-based song titles and sound clips? An all-around confusing novelty release. Hopefully the LP version is able to shed some light on the confusing aspects of that which is CLOWN SOUNDS.