Descendents

Reviews

Descendents Liveage LP

This is the swan-song for the DESCENDENTS—without Milo again they’ll be called ALL and thankfully this live record isn’t an end-of-the-career-rock-bullshit move. It turns out to be an extremely tight “best of” set recorded in Minneapolis. A lot of the clunkers from previous albums sound incredibly gutsy with the in-yer-face production. A classic.

Descendents All LP

This album sees the DESCENDENTS with somewhat longer songs than usual, a more power-pop compositional style, and the hooks we’ve come to expect from these popsters. The problem is that their emotion of ’82 is largely gone, but this is listenable for those who value melody over crunch.

Descendents I Don’t Want to Grow Up LP

A superb second LP from the DESCENDENTS. The first thing that hits you is its schizophrenic character—side one presents more of their catchy garage punk with satirical and scatological themes (some of which are overtly sexist), whereas side two highlights a newer sound that combines irresistible pop or countrified melodies, heavy punk guitars, and sensitive, reflective lyrics. I actually prefer the latter (especially “Silly Girl” and “Good Good Things”), which seem to result from Bill Stevenson’s (ex-BLACK FLAG) influence.

Descendents Bonus Fat 12″

Not only do you get the DESCENDENTS’ classic Fat EP on this one, but also the two songs from their rare Ride the Wild 45 and an additional compilation track. This is hard-edged SoCal funnypunk at its best, and a welcome return to vinyl. May be the band’s best record.

Descendents Milo Goes to College LP

This LA garage punk group bids farewell to vocalist Milo. Well-produced and snappy-fast, they are as tight and fun as they come, somewhat reminiscent of the DICKIES. The songs cover teenage problems like conformity, parents, drugs, and suburban life. One disturbing note—in “I’m Not a Loser,” they resort to the all-too-prevalent “you fucking homo” name-calling. Maybe these teenage insecurities will ease up after graduation.