Destruct

Reviews

Absolut / Destruct Deafen and Disarm split EP

This is a record I was, of course, looking forward to, as a person of verified good taste. I mean, the room for error with Richmond’s DESTRUCT is non-existent: they are hot as shit and one of the best hardcore bands right now. These three new songs sound absolutely devastating, like a steroid-addicted FRAMTID with a touch of traditional Japanese hardcore and a pinch of SVART PARAD and BOMBANFALL; manic crasher Scandicore for the masses. This band smokes, but they are a very tough act to follow. It’s a bit like being asked to juggle a football just after Lionel Messi. I had no idea that ABSOLUT, from Toronto, was still going, and I was curious to hear what they would come up with. Their three songs are decent slices of raw, Japanese-style metal punk with extravagant soloing and evil vocals (ZOUO or the CLAY are certainly on the band’s playlist), but they do come short after DESTRUCT’s relentless punk mayhem. But then, most bands would. The incredible artwork, courtesy of Sugi, looks fantastic and should be more encouragement to grab a physical copy of this noisy fucker.

Destruct Echoes of Life LP

Hailing from Richmond, VA, DESTRUCT sounds like an unfuckable great mix of BASTARD, DEATH SIDE, JUDGEMENT, and FRAMTID. Imagine the aforementioned bands, blend and mold it back together, trim all the fat, and that’s Echoes of Life. DESTRUCT makes the international hardcore enthusiast dream a reality: if BASTARD was a currently active band, still in their prime and releasing another great record in 2020. DESTRUCT accompolishes something DEATHREAT tried to accomplish 20 years ago with Consider It War, but perhaps an even better articulated version of the ’90s Japanese hardcore approach. Sounds like something that was recorded at Our House in Tokyo in the mid-’90s but was actually mastered at Enormous Door by Jack Control of WORLD BURNS TO DEATH, who is way too familiar with that type of production and nails it beyond perfection. This is no-frills, straight up devestating dark hardcore punk without having any gimmicks, macho-ness, or cosplay-ness, which is something many of us are looking for in the current punk scene that seems to have its head stuck up its ass or is way too concerned about what the next leading hip trend will be. One might criticize how much they can just listen to BASTARD instead, but this perhaps is a great example of learning something from the past and creating something even better with it. Highly recommended.