Dez Dare

Reviews

Dez Dare Cheryl! Your Love Shines Down Like a Supernova’s Death CD

Wow, has it been so long since 2009 that we’re starting to get nostalgic for unnecessarily long album names? Interesting record here: synth-rock that sounds a bit like the SHOUT OUT LOUDS if they had the same set up as ATOM AND HIS PACKAGE. One of those slabs I wanted to like, but nothing really sticks out or grabs me. It’s a tad dry, which is unfortunate because the composition is interesting. They clearly took a lot of time with the instrumentation, and did a good job weaving the synth leads with the guitar riffs. It never sounds too crowded. The vocals, however, are very drab. This might have been intentional, but the lack of any energy is glaring. I do need to give DEZ DARE a shoutout for using a Casio EP-10 drum machine on “Light Touch of the Man Spreader.” Easily the best preset of all time. If you were big into that Brit dance-pop wave in the mid-to-late ’00s, you might dig this.

Dez Dare A Billion Goats. A Billion Sparks. Fin. CD

Solo project from Australia that sounds like MONSTER MAGNET and DEVO caught in a drug bust. Heavy groove riffs and psych experimentation nestle up to chirping 8-bit synths and crunchy beats, accompanied by spoken/barked vocals. The production is perfect: DIY, open-room sound with big drums and bigger guitars and vocals slightly low in the mix. It sounds live, but it also sounds meticulously crafted at the same time. “Got a Fire in my Socket” opens the album with new wave keys and buzzing bass, while the next few tracks, “Matter Vs Matter” and “10,000 Monkeys + An Argument with Time,” bring out the super riffs. It’s an unusual combination of dorky guitar hero power, but it flows so well and comes across so naturally that you’ll question why this isn’t a regular genre blueprint. “Entangled Entropy” features swelling synths and a post-punk bouncing bass line with a vocal melody that recalls the mellower moments of TOTAL CONTROL. Highly unique and highly recommended.

Dez Dare Perseus War CD

Garage punk meets psych-damaged hard rock on this Brighton band’s latest. Classic rock riffing lives on in the stompy, all-downbeats rock‘n’rock of “Bozo” and “Myopic Tropic” with fuzzed-out guitar fills and spoken/sung vocals, some about society’s ills, some nonsensical. “Beach!” is catchy in its rocking immediacy, rolling toms, and laser-gun guitar tone. Final track “STOP. STOP. STOP TALKING.” is an eight-minute opus of distorted bass, chiming keys, and bubbling electronics that rocks the whole time. Recommended for fans of KING GIZZARD, fuzz pedals, and maybe those rad conversion vans with wizards painted on the side.