Ghoulies

Reviews

Aborted Tortoise / Ghoulies Euro Tour split EP

Hey dummy. You like what the hell is going on over in the garages of Australia? You don’t know what I’m talking about? Then get right immediately, because here’s a split featuring two of the best of the seemingly endlessly fertile scene of garage punks keeping the genre alive, all brought to you by the evergreen tastemaker Goodbye Boozy. These two bands in particular share members, and it sure sounds like it. Both sides are deliciously spiky, bratty, and econo. Throw in some syrupy synth, and you’ve got yourself the exact kind of potent brew I’m reaching for any day of the week. If you’re already in the club, you already picked this one up. If not, have a listen and get on board speedy-like.

Ghoulies Reprogram EP

Synths and punk—it’s not that they don’t mix, but it’s tough enough to blend the two that it’s generally advisable to keep them separate. All too often, you’ll end up sounding like a punk band with a synth rather than a synth punk band. This is especially true when you opt for some squiggly new wave timbre. Now, I’m not sure GHOULIES—a Perth act featuring members of ABORTED TORTOISE and KITCHEN PEOPLE—avoid this pitfall entirely, but it definitely doesn’t sound like they just have a synth going in the background (or worse, drowning out the rest of the band). Over the seven tracks on this EP, they weave synth lines—often very silly ones—into their brand of frenetic, start/stop garage punk, and it really gives the record a delirious edge that pairs nicely with the unhinged, multi-tracked vocals you’re getting on a lot of these tracks. Not every track on here works, but the ones that don’t are still short enough that you’ll barely notice. At the very least, give the opening track “B.O.” a listen—it smokes!

Ghoulies Songs From Flat Earth EP

As the debut EP from this Australian four-piece (featuring members of ABORTED TORTOISE and KITCHEN PEOPLE), Songs From Flat Earth serves up frantic synth punk rock’n’roll without a single track clocking in at over two minutes. Carnival-ride synths and hyper mutant vocals combine for a queasy experience—but not a sloppy one, as these songs are remarkably tight and fully realized. Devotees of GEE TEE and the CONEHEADS (and insert your favorite devolved egg-punk band here) will find plenty to enjoy in this.