Institute

Reviews

Institute The Shooter EP

INSTITUTE proves yet again why they are a standard-bearer of effective, tense, subtle yet confrontational post-punk. And yeah, that sentence contains a bunch of qualifiers, but it’s less narrowing down their sound than it is the inability to not be verbose and effusive when describing it. This three-song EP was pressed to coincide with their first-ever Australian tour, so thanks for existing, Australia. The opening title track is a perfect sample size of what makes INSTITUTE so great and seemingly singular. And while the next track seems to exist in the same lane, the closing track changes it up just enough for the listener to take notice. “Why Are These Men Still Alive?” takes the musical tension of the first two tracks and shifts it over to the lyrics, questioning why we are forever trying to lift the boots off our necks when the legs in said boots are so feeble that they can barely stand as it is. The track is a bit longer, allowing both exploration and repetition, a krautrock-esque decision that really lets the listener get lost towards the end, picturing these powerful men with their colostomy bags running down their legs.

Institute Ragdoll Dance LP

INSTITUTE returns with their signature creepy/catchy sound, and some inevitable updates. They’ve kept their snaky guitar lines and sinister rhythms, but the production has a real distinct texture from their previous releases. It’s both restrained and full, quiet but boiling. I’m sure many of us can imagine louder, brasher versions of these songs, but the band really holds back. The guitars sound like they’re surrounding and nudging you instead of blasting towards you. The songs are a recognizable, stripped down punk’n’roll with some almost KISS-esque leads. This made me think of some other bands who fold in a touch of hard rock. All that aside, the band’s songwriting still hogs the spotlight and carries the album.