Mini Skirt

Reviews

Mini Skirt Casino LP

It took a few listens for this record to click. On the first couple of spins I heard a competent take on the same type of thing EDDY CURRENT SUPPRESSION RING has been doing for years. That comparison is as lazy as it is fair—they’re both Australian (MINI SKIRT hails from Byron Bay), they play the same type of post-punk-tinged garage punk, they can ride a groove beyond the four-minute mark, and they’re led by an energetic, plain-spoken yobbo vocalist. What I missed initially, though, was just how important that vocalist is to this record. I suck at paying attention to lyrics, generally only noticing them when they are awful. But try as I might, it’s impossible to ignore them when presented this baldly. So, after a few play-throughs I started to notice their sincerity (refreshing when compared to the glut of egg-punk zaniness and post-punk remove that populates the modern punk landscape) and their atypical subject matter…at least for a band whose sound bares this much resemblance to pub rock. They deal with political nuance and the difficulties of getting older in a world that’s seemingly going to hell and run primarily by idiots, and the vocalist is able to wrench way more emotion out of these lyrics than you would expect given that he’s basically talk-shouting. It’s really an incredible performance, and I found myself genuinely moved at points. Anyway, somewhere around my fourth or fifth listen this record turned from solid to essential. Please give it a go!