Plot

Reviews

Plot Food Chain LP

PLOT is a three-piece from Philadelphia that has been at this for a while now, and their new album leans into a dark, uneasy mood which should be familiar to fans of their previous releases. Jake Rhoda’s keyboards sit right up front, and his vocals come drenched in reverb, often to the point where the words are hard to make out. On the peppier songs, the bass and drums do a lot of the work, pushing everything forward with a low, dirty churn. You can hear the music reflecting influences from industrial to post-punk to noise rock, and few tracks even edge toward dance punk, though they never fully cross over into something you’d call fun. I could see PLOT sharing a bill with USA NAILS or early POP. 1280. For me it works best on the noisier, rockier songs, and “The Convenience of Meat” is the high point, a dark, grinding standout. They also stretch out in places: “Infiltrator/Party World” is a slower, layered, six-minute drone that could be an ordeal for some, or a good track to zone out to during a study session. I found my attention wandering during a few of the less aggressive stretches, but when PLOT leans into the grit, it really connects.

Plot The Revenge LP

Philadelphia three-piece PLOT have just released The Revenge, their first full-length recording on MPLS Ltd. This six-track album kicks off with “I Have Your Slattern,” which is a tempo-shifting appetizer to the rest of the album, followed by “Peccadilloes,” an acoustic palate-cleanser of sorts that makes way for the meal of the album. “Bobbit Worm” features howling vocals over clipped and distorted instruments, and just when you think you’ve figured out PLOT, they throw down the darkened noise rock of “Eye Decay.” The gothic bend continues through the plodding, synth-heavy “Walk the Plank,” which decays into the dirty, bass-heavy “Slush Fund.” This album is an engrossing journey through unexpected directions which will leave you wanting more.

Plot What Happened to Your Face LP

What a mystery this Philly trio called PLOT is. A series of very interesting influences come together in a thick concoction, where we can taste the pulse of the heaviest post-punk (think BIG BLACK or KILLING JOKE) with elements of ’90s industrial metal (voice samples included) and even some of the more exploratory spirit of ’90s post-hardcore. The result is dark, dense, and very singular. A deeply expressive sound that could well serve as the soundtrack of a post-industrial city in ruins or as the noise that our civilization makes when dying, a dreadful final death rattle.