Scream and Dance

Reviews

Scream and Dance In Rhythm 12″ reissue

Originally released in 1982, In Rhythm was the lone record from this short-lived, dubbed-out post-punk group who came up in the same late ’70s/early ’80s Bristol scene as the POP GROUP and MAXIMUM JOY, but in contrast to the fiery scratch and howl of the former and the simmering funk of the latter, SCREAM AND DANCE mostly locked into beat-driven, spiraling rhythms with an aura of mystique that was closer in spirit to the RAINCOATS, if anything. The seven-minute title track builds up a laid-back, minimalist groove that’s almost all percussion (the credits reference bongos, sansa thumb piano, and a naal drum, among other things—definitely not the usual post-punk/funk sources), with doubled-up, sing-song incantations from Amanda Stewart and Ruth George-Jones heightening the trance-like effect, followed by “In Pink and Black,” where the spell of the A-side’s first half is only broken by some increasingly intense vocals that hit almost like impassioned anarcho-punk poetry over the droning instrumental rattle. Two versions of the hyper-kinetic and polyrhythmic “Giacometti” make up the B-side, where SCREAM AND DANCE really manifest that band name—the non-remixed take is up there with MAXIMUM JOY’s “Stretch,” PIGBAG’s “Papa’s Got a Brand New Pigbag,” and the collective works of 99 Records in the top heap of mutant disco dancefloor starters, total clatter and clang for reflexive body movement, and spectral, echoing chants that gradually break into uncontrolled primal shrieks. It’s truth in advertising!