Squid Pisser Dreams of Puke CD
At first listen, I thought I wasn’t the audience for this at all. Three One G-style glitchy emoviolence with goregrind-worthy song titles and the album art just had me thinking, “are we still doing this?” But I’m quick to admit when I’m wrong, and I was majorly wrong here. This does, to a degree, harken back to noisy, mathy hardcore that was omnipresent in the late ’90s and early ’00s, but it’s presented in such an unfussy and dialed-in way that it just hits right through your sternum. The effects-heavy vocals, the laser gun guitars, the never-dampening rush of drum beats, all of these elements connect. There isn’t really a gimmick here despite first appearances, and the songs are really brilliantly written. A burner like “Vaporize a Neighbor” dips its wings in industrial metal and noise rock as it flies by at a thrashing pace that never lets up. Then the following title track goes full theatrical synth doom, a sub-sub-genre I’m not even sure existed before. Hyperactivity is the name of the game here, but it never feels unfocused. It’s the opposite, in fact, leading to a singular listening experience that hits hard. Genre signifiers be damned (even though I’ve dropped about a hundred in this review alone).
