The Cramps


The Cramps What’s Inside a Girl? 12″

The title is off their latest LP, and the other two tracks are nothing to rave about. “Get Off the Road” and “Give Me a Woman” are very simple tunes, but lack any special character or zip. Like the RAMONES’ new 12″, a poor follow-up to their recent LP.

The Cramps A Date With Elvis LP

The big difference on this release is that Ivy finally steps out with some clean guitar soloing, and I like it. It’s straightforward and simple, and reminds me of something, like a slightly more souped-up JOHNNY BURNETTE TRIO/BO DIDDLEY. Some real chances get taken here, and the results: their best record in years, though many don’t like it.

The Cramps Can Your Pussy Do the Dog? 12″

The title-track is classic-sounding early R’n’B CRAMPS, while the two accompanying cuts are either Elvis-influenced or country-blues sounding and nothing too special. I’m glad they’re still at it, but this didn’t have me bouncin’ off the walls.

The Cramps Blind Vision EP

A four-song “live” release out of Australia that may or may not be a boot. It’s typically raunchy CRAMPS material, and finally contains a recorded version of “Five Years Ahead of My Time,” which they’ve been covering for years.

The Cramps Smell of Female 12″

This is a live recording of new songs and a few covers. The CRAMPS understand real rock ’n’ roll so well that they write songs that can easily be mistaken for ’60s classics. OK, so the production lacks the usual CRAMPS punch. So what? It sounds great on my lousy stereo. You hopin’ that Jack Douglas will produce ’em? What makes this different from other CRAMPS records is that here you can follow and comprehend Lux Interior’s comic book scenarios with ease. The kind of rebellion the CRAMPS inspire is wanting to be a kid as long as you live. That’s cool.

The Cramps Transylvanian Tapes LP & Tales from the Crypt LP

These are two separate “disques especiale,” as they say in the biz. They’re made up of demos from the real early days, as well as comical Chris Spedding sessions and the wild Chilton tapes. There’s live versions of the obscurities and B-sides of singles. This should satisfy you while Lux stays nailed to the parlor TV.