The Downstrokes

Reviews

The Downstrokes The Furious Hours LP

West Coast to Third Coast, Rotten Princess puts out a terrific variety of punk, noise, hip hop, etc. that seems to always, at the very least, keep my attention all the way through, and at their very best, doesn’t leave my stereo for weeks to months. The DOWNSTROKES are a mid-tempo, Northern East Coast garage/punk/power pop band with hooks by the handful. Personally, I wish the production was a little muddier, but that’s a me thing. I can’t help but feel like there’s something lacking. Follow me here—the music is tight, the lyrics are thoughtful and tuneful, and all together, the songs are melodic and have tons of catchiness, so maybe the delivery of the whole feels like it’s lacking conviction, and moreover simply plodding through. Most of the songs come close to or over three minutes. I think this could have been a top-of-the-charts summer banger if the songs would have been capped at two to two-and-a-half minutes each. However, by the end of the third time through The Furious Hours, I am more in tune with where they are going in terms of setting up the longer-structured songs and giving the melody time to sink in. Maybe somewhere in the middle would be best? I guess I’m the jerk here (shrug emoji).

The Downstrokes / The Prozacs Better Late Than Never split LP

More pop punk from two bands who heard the QUEERS three decades ago and thought “This is how I’ll write music for the rest of my life.” I guess that’s the entire theme of this split. Arrested development and refusing to grow old and change your attitude. But Jesus Murphy, how many more times are we going to have to hear this tired, old trope? There is nothing that differentiates these two bands from the mounds of other bubblegum punk bands out there. This review ended up being more negative than I wanted it to be, so I’ll leave you with this thought: I know that RAMONES-core in general has a very dedicated fan base, so if you’re into all of that shit, then you will absolutely love this split.

The Downstrokes This Close to Vertigo LP

The guitars on “This Close to Vertigo” are catchy in a conventional, RAMONES-worship way. They got stuck in my head easily. I mean, how is “Go Nowhere Kids” not already a song? But why does the band keep dragging songs past the two-minute mark?  I’m a big believer that a good riff speaks for itself. Excessive repetition can drain punk songs of the momentum they need. I get it, I’ve been in bands and sympathize with wanting to show off a good tune. The DOWNSTROKES should trust listeners to enjoy these tunes on their own merits without pushing a second or third helping.