Wristwatch

Reviews

Wristwatch III LP

The best offering yet from this fiery Madison, WI post-garage-punk trio. This is five songs from their first record and five songs from their second record, re-recorded. This time around, they ditched the drum machine in favor of their live drummer, and it really pays off. What I dig most about this is that it’s infinitely more aggressive in nature than their previous releases, and honestly, more than most of the stuff I hear in the genre. It’s pissed-off and weird, but also really melodic and hooky, and there’s an explosiveness to the songs that was lacking on their previous releases. The music is tight, angular, intricate, and sonically combustible. You can feel the energy of them all playing together, and it makes a world of difference. There’s some killer guitar work going on, and when the bass needs to shine, it really shines. Bassist Ty Spatz lays down a sick bass line during the track “Rules,” and it’s one of my favorite moments on the album. It reminds me of an angrier DEVO meets early PAVEMENT or the BUZZCOCKS. Vocally, the JAY REATARD influence is still there, but it’s not the star of the show. Vocalist/guitarist Bobby Hussy has come into his own vocally, screaming maniacally and theatrically, adding an additional layer of tension to a record already busting at the seams with tension and anxiety. The closing track “Fix” is a highlight of the record for me and a perfect demonstration of everything I liked about the LP packed into one song. It’s tense and moody, working through several musical passages that push it past the five-minute mark before resolving and releasing all that goddamn tension. Play it loud!

Wristwatch II LP

Following up their 2021 debut, Wisconsin’s WRISTWATCH continues mining the vault of melodic, synth-heavy garage rock. The songs oscillate between straightforward gritty numbers like the opening track “Rules,” and more saccharine indie-inspired tunes such as “Sweet Tooth.” The unavoidable comparison is to the output of Jay Lindsey, particularly Lindsey’s contributions in LOST SOUNDS and as JAY REATARD. It’s so blatant that there are even “once removed” correlations at play. For example, the vocals on many of the songs don’t just sound like JAY REATARD—they sound like JAY REATARD trying to sound like T.V. Smith. The same could be said for the instances in which WRISTWATCH evokes SCREAMERS…they’re actually more evocative of when LOST SOUNDS would ape SCREAMERS. Not to discredit the deftness of songwriting exhibited by the two members of this band, Bobby Hussy and Ty Spatz. There’s clearly a lot of talent and creativity in the mix, even a glimmer of erudition to be found. I’m just left thinking there may be untapped ingenuity lurking just beyond the confines of pastiche.

Wristwatch Wristwatch LP

WRISTWATCH asks the question, “What if the SPITS went for more of a synthy dance party vibe?” This is punk rock that turned down the RAMONES and added a lot more DEVO. This is what ATOM AND HIS PACKAGE would sound like much angrier and looking for a fight. This synth-garage duo is charmingly grating and forcibly danceable. You will fail to keep your hips still while jamming to this one. Coming from Madison, Wisconsin, they bring the music like only the Midwest can. If we can get this duo on tour with DEVON KAY & THE SOLUTIONS, KITTEN FOREVER, and DIRECT HIT!, it will be the greatest lineup the greater Milwaukee/Chicago area has spit up in a long time. This is the first release from WRISTWATCH, but if the two members can sit still without going back to their multiple other bands or just creating a few more, this project can have some long and interesting legs. Start with the track “Screwed,” and see if you can stop listening. You won’t. Blast it loud and preferably while standing up with nothing fragile nearby. Better yet, find a show and throw your show dollars at them so they keep it up.