It’s the final print issue of Maximum Rocknroll! Time for a eulogy? Or time to demonstrate the life eternal that is worldwide DIY punk from MRR’s inception till the end of time… MRR #432, May 2019, is a mammoth issue, featuring savage, falling apart damage from London’s FORRA, we got an interview with insurrectionary artist Winston Smith, mutant NYC snarl from EXOTICA, raging ex-Yugo-inspired punk courtesy of APSURD from Serbia, UKDIY meets desert dream via Austin TX’s CHRONOPHAGE, NYC no wave punk funk eternals BUSH TETRAS, raw punk destrucciÁ³n from Barcelona’s PIÁ‘ÉN, the shit-fi sound of CIEMO, catchy classic punk sounds from Oaklands DESEOS PRIMITIVOS, radical queer femme power pop from Los Angeles’ SUSAN, and dubby post-punk from Oakland’s THE WORLD. We talk to Mindaugas Bagdon, the beatnik punk filmmaker behind the classic SF punk expose Louder Faster Shorter; there’s some radical Oakland hardcore c/o PROVOKE, playful revolutionary London grrrl sound from DREAM NAILS, dense catchy metallic HC from Oakland’s KHIIS, filmmaker Kim Garcia takes inspiration from punk, a look at DIY record store Faith/Void, and a look into homeless services in Olympia, Washington. All of this plus a Rio Grande Valley scene report, photo spreads from Jesse Ponkamo and George Argyropoulos, and yes, all the reviews and columns that you hate to love… Final cover art by the inimitable Martin Sprouse.
MRR is contributor-driven, which means that we rely on punks like you for content. You don’t need an invitation to be a part of what we do.
For review and radio play consideration, send two copies of vinyl or one copy of CD-only or cassette-only releases to PO Box 3852, Oakland, CA 94609, USA. Send us the final version of your record—we do not review digital releases, test presses, or promo CDs.
We will review everything that falls within our areas of coverage: independent punk, garage, and hardcore. This means no major labels or labels that are exclusively distributed by major-owned distributors. We reserve the right to reject releases on the basis of content. Music without vocals or drums will not be considered.
Every record that is reviewed is added to our archive, the largest collection of punk records in the world. Please allow two months from your mailing date before following up to ask if we’ve received your submission.
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In addition to records, we also review independently published and produced zines, books, and movies. Please send physical copies to PO Box 3852, Oakland, CA 94609, USA. If you have a streaming link to your film, or if it is playing in the San Francisco Bay Area, please email the information to firstname.lastname@example.org.