Reviews

Chain Smoking

Twisted Teens Blame the Clown LP

There’s something about New Orleans that defines its own weirdness, a disparate collage of Cajun, creole, country, and punk subcultures with an identity distinctly of and desperately not of the American south. This transient collection can create art and music that is hard to pin down and classify it as anything other than itself, and TWISTED TEENS could only authentically come from there. A melting pot of garage rock, folk punk, blues, soul, and Americana, they have shaped their own sound that just feels like something familiar in that way that you could know WOODIE GUTHRIE by listening to the CLASH. There’s a crazy mishmash of GUN CLUB experimentation, zydeco energy, and TOM WAITS weirdness. Lead singer and guitarist Caspian Hollywell’s scratched-out, cigarettes-and-whisky-soaked voice harkens to his folk punk roots in SCISSORBILLS and BLACKBIRD RAUM—I mean, he’s wearing a SCROUNGER shirt on the cover of the album, so you get an idea where this is rooted. Lyrically, the songs have the humor and narrative weirdness of Tom Robbins on a meth bender. Hollywell is backed by Ramon (RJ) Santos on pedal steel, and their live shows incorporate a random entourage of other musicians on stage. It’s Santos’s playing that is the guts of the band, twisting and intertwining with the guitar and vocals and then breaking away while still carrying the song.

V/A Ready! Aim! 1! 2! 3! 4! A M.O.T.O. Tribute CD

Ready! Aim!! 1!2!3!4! A M.O.T.O. Tribute features 46 bands covering songs by M.O.T.O. (MASTERS OF THE OBVIOUS), which should tell you something about the reach of Paul Caporino’s songwriting. The man has been at it since 1981—45 years of garage rock filtered through pop, new wave, and occasional metal detours, and the one constant across all of it is that the hooks are relentless. Caporino writes melodies with a ’60s pop instinct that won’t leave you alone, the kind of songs that burrow into your head even when the lyrics make you wince. “Dance Dance Dance Dance Dance to the Radio” is a good example: you might argue with the words, but good luck getting that bop out of your skull. On a comp this size, interpretations range from faithful to sideways, and the quality varies. I hadn’t heard of most of the artists here, but standout contributions from ERIC AMERICA featuring BRONSON TERMINATOR TEW, ERIC CUNHA, POPDUDES, HOUSEGHOST, PAINT FUMES, and SHERI LYNN featuring the SWEET LOVES kept me hitting play. If you’re already a fan of Caporino’s work, there are plenty of good takes here to keep you happy. If you’re not, do yourself a favor and check out the originals. The man might be the Brian Wilson of garage rock: prolific, obsessive, and incapable of writing a song that doesn’t stick.