Reviews

FOLC

Automatic Lovers Boston Brats / Who Cares If Tomorrow Comes 7″

Punks from Madrid, singing about punks from Boston. Named after a VIBRATORS song, sounds like a DAMNED song. By this point, you probably already get the picture, but to spell it out anyway, these two tracks offer up classic UK punk sounds that are well-studied without sounding trite; AUTOMATIC LOVERS know what they like, but they don’t have it by rote. Both tracks here are high-energy, with maximalism happy to creep in—the piano chords banging along on the chorus of “Boston Brats” want to hide in the background, but they make so much sense that you can almost feel them more than hear them—and the B-side is a fantastic cover of ’80s punk band KIRK AND THE JERKS.

Les Lullies Une Nuit à Leipzig LP

LES LULLIES play a brand of punkish rock’n’roll that proudly wears its French roots on its sleeves. Yes, you’re gonna hear influences from the EXPLODING HEARTS, and you can compare their approach to bands like ROUGH KIDS, but there is an underlying tinge of that French garage sound that will not be denied. That dancey/joyful vibe certainly underlies this live LP that resolved the question of “what do they actually sound like live?” for me in quite a satisfying way. I found the first LP to lean a little too hard on production to make it feel like garage rock, while the second saw them commit to a cleaner and much more powerful punk rock sound which made it my favorite of the two. The live setting lets the band come through way more than the production choices of the first LP could, lending energy and a little fun looseness that feels like actual personality, while the amazing recording job (direct soundboard, if I had to guess) gives you a pretty broad sense of their power as a band. The night’s proceedings feature a very well-curated selection of originals from throughout their career, plus a DEAD MOON cover that earns its spot but feels the lesser surrounded by so many great original tunes. Like most live records, this is a no-brainer purchase for already established fans, but it also upends the “preaching to the choir” nature of other such efforts working really well as an introduction to the band at its best for the uninitiated. This kicks ass.

Loose Lips One More Chance EP

Featuring members of the PRIZE, the CHATS, and CHUBBY AND THE GANG, I was definitely set up with high expectations and interested in what sound might win out in that wild game of rock, paper, scissors. Fans of any of those bands will be excited to hear these songs, and I think the classic punky power pop sounds of the PRIZE jump out first. One thing here which helps differentiate this EP from the sounds made in the members’ other projects was the splash of bar boogie, especially in the track “Told You So.” And while I don’t think these tracks vastly outshine their other projects or anything (at least in this first offering), I imagine they had a blast putting these songs together, and that energy definitely shines through. Would love to hear how this project might evolve further in the future.

See-Saw At Any Time / Just Want to Be Free 7″

Two caffeinated rock’n’roll hits from this Kyoto, Japan band that is named after a song by the JAM. Both sides have a bouncy, infectious song that rides the line between punk and pub rock, like CHUBBY AND THE GANG or a sped-up UNDERTONES. “Just Want to Be Free” has all the elements for a melodic good time: palm-muted guitars with a simple chorus, classic guitar fills, and backing vocals. I was expecting hand-claps somewhere in the mix, but I guess you can just add your own at home. Fun and catchy record that could have come out any time in the last 40 years, but still sounds fresh.

Varonas Instinto Animal EP

Given that there are Spanish labels involved here and the songs are sung in Spanish, I’m going to go out on a limb and suggest that these folks might be Spanish. Whether or not that’s true, if you’re a fan of female-fronted, sometimes up-tempo power pop with a focus on the vocals, this is likely for you. There’s nothing that says that your punk rock or power pop can’t come from someone with a pretty voice. Three quick songs, and just like that, it’s over. Well-played and well-produced. I wanted more.

Varonas V​í​timas del Ritmo LP

VARONAS’ Vítimas del Ritmo (translated: “Victims of Rhythm”) is the debut LP from this Madrid four-piece featuring vets from MALLORY KNOX, THEE GIRLFRIENDS, THEE SUCKIN’ DICKS, and RADIO ZOO. The music meanders between garage rock, power pop, and straight-up ’70s-style rock’n’roll, with dual vocals from guitarist Vanessa Herrero and bassist Gema Bañares that are intended to channel a B-52’S vibe. While the album has its moments, including a cover of “Love Shack,” the vocals sometimes lack the strength that could have taken it to the next level. It’s fun and really not bad at all, but it could’ve been a lot punchier. Check out “Es a Mí” if you want a taste.