Reviews

Grown Up Wrong!

Lipstick Killers Strange Flash: Studio & Live ’78–’81 2xLP

A garage-y quartet formed from the ruins of two first-wave Australian punk bands (FILTH and PSYCHO SURGEONS), the LIPSTICK KILLERS played the kind of spunky, glam-tinged rockn’roll that was popular among grown-up punks in the late ’70s. This collection takes the sole single released during the band’s active period and gives it the ol’ “as much bonus material as you can handle” treatment. In addition to the 1978 “Hindu Gods of Love”/”Shakedown USA” 45, this double-LP includes studio demos, an additional album-length unreleased demo session, two lengthy live shows, and some bonus PSYCHO SURGEONS songs as well. “Hindu Gods of Love” showcases the band at their best, with a crankin’ guitar that recalls DMZ and a sort of stripped-down jazziness that brings fellow Sydney rockers RADIO BIRDMAN to mind. On the single, this hit tune is pushed through a wall of flashy production that gives it a tint of psychedelia. You can compare it to the demo and live versions of the song that also appear in this set. These guys are really only putting in the tip in terms of punk, as most of their songs read as a “STOOGES-lite” kinda deal and often flirt with a commercial sensibility, though the singer does pepper it up with a good amount of growls and howls that you probably wouldn’t hear much on the radio in that era. The LIPSTICK KILLERS eventually made their way to L.A. and gigged with the likes of the GUN CLUB and the FLESH EATERS before calling it quits in 1981. If you’re clueless and curious about this hazy chapter of Aussie punk history as I was, this sprawling body of work pretty much tells the whole story.

Lipstick Killers Tour De Force: Live in Adelaide 1979 LP

LIPSTICK KILLERS’ Tour De Force: Live in Adelaide 1979 captures sixteen tracks from a 1979 radio session, documenting a band that never seemed to have achieved the recognition of Australian punk contemporaries like the SAINTS or RADIO BIRDMAN but still helped lay groundwork for what became a ridiculously vital scene. The set includes live versions of “Hindu Gods of Love” and “Shakedown U.S.A.,” plus a cover of the 13TH FLOOR ELEVATORS’ “I’ve Got Levitation.” Fans note this recording appeared on the CD version of 2021’s Strange Flash double LP, but got cut from the vinyl due to space constraints. The quality is brutally raw and the vocals sound like absolute hell at times, but that’s part of the charm when you’re documenting a band from this era. This might be for completists and historians, not casual listeners, but if you’re invested in the deeper corners of Australia’s late ’70s punk history and its ongoing legacy, this messy snapshot is worth the trouble.

The Gas Babies Headin’ for the Texas Border / DmF (Ready to Go) 7″

The homemade production sounds full and rockin’ just like all the good Aussie releases, especially on the powerful A-side. The flip has less punch, and frankly, neither track is particularly noticeable aside from the occasional instrumental punchiness.

The Scientists Not For Sale: Live 1978/79 2xLP

The recent SCIENTISTS reissue blitz has been a bit crazed, but it’s hard to complain about seeing so many records by these all-time greats in the bins again. As advertised in the title, this release captures the savage young iteration of the SCIENTISTS via a couple choice live recordings. The sound is uniformly great—no hiss-fi gunk-covered cassette rehash here, just top-tier documentation, more than I ever expected to hear outta this early incarnation of the band. The originals (“Last Night,” “Frantic Romantic,” “Shadows Of The Night,” and on and on) are all present and performed with formative fervor, while the many cover selections (most notably those by FLAMIN’ GROOVIES, the obvious touchstone for them at this early stage) all help paint a hot-pink portrait of the pre-swamp version of the band. Very well done release to boot: gatefold sleeve, extensive liners, colored wax. Recommended for completists and the curious alike.