Reviews

Quality Control HQ

Arma X Violento Ritual LP

Music to crush your enemies to. ARMA X from Madrid, Spain crafted a record of pummelling heavy hardcore/beatdown. With Xs Sharpied proudly on their hands, the band produces only the hardest riffing and throws an ungodly amount of dive bombs your way in between. And, unlike many heavy HxC records, Violento Ritual doesn’t overstay its welcome, containing eight songs in under twenty minutes. This is an LP that is bound to crush all the weak who attempt to take it on—not one for the faint of heart.

Existence Into the Furnace EP

EXISTENCE of Stockholm fuse melodically charged, metallic Scandi-death metal riffing with an overt NYHC style. Imagine if AMORPHIS or KATATONIA had mixed it up with 25 TA LIFE, CRO-MAGS, and MERAUDER. The riffs are intoxicating, and the grunting and barking vocals are totally menacing. There has been a resurgence of deathcore as of late, and I’m kind of drawn to it again. Thinking of the MOMENT OF TRUTH/KRUELTY split… EXISTENCE here joins those rank beats, while retaining unique thrashing compositions that blend harmonizing ethereal death metal and Neanderthal pit-core. Themes include the struggles of fascism in Sweden and abroad, and also delve into cathartic perspectives on realizing one’s mistakes. Heavy on many levels, and a sonic rager.

Foreseen Untamed Force LP

Finnish thrashers FORESEEN have unleashed their highly anticipated new LP Untamed Force. I’m going to get straight to the point: this record is fucking awesome. A truly wild ride that places FORESEEN comfortably next to thrash/crossover contemporaries MUNICIPAL WASTE and POWER TRIP (R.I.P. Riley, to whom the album is partially dedicated), while also bringing to mind the best of the NWOBHM: VENOM, DIAMOND HEAD, and MOTÖRHEAD. Opening track “Soldier’s Grave” sets the tone for the rest of the album with chugging guitars, double kicks, and righteous solos. Vocalist Murko Nummelin’s delivery matches the music almost too perfectly; at times he sounds like he’s foaming at the mouth. Lyrically, you can feel the urgency and fury in every track. By the halfway point, FORESEEN has aimed their sights on those entitled in society on “Birthright,” the pain endured to please the powers that be on “Tolerance of Abuse,” and the despair of drug addiction on “Suffocating Routine.” Then two minutes into “Fetish Oppression,” things take off into an unexpected soaring bridge complete with angelic (or demonic) backing vocals. It’s one of many moments that make this album such a fun listen. FORESEEN is masterful at adding touches throughout that take each song to the next level. Check the organs playing in “Cold Comfort,” the runaway train guitar and bass chug in “Serve Your Purpose,” and the dizzying drums and face-melting intro of “Desensitized.” Title track “Untamed Force” closes the album with the band declaring “Crashing the gate / No time to wait / For someone to do it for us / Storming onwards / A ferocious untamed force,” a firm affirmation that this is FORESEEN’s world and we’re just living in it. Expect this to be on every “best of” list at the end of the year.

Fuse This Segregation Will End 12″

New LP of hardcore fury from Lion City. Unique blend of classic ’80s NYHC with UK anarcho bands, and yet still having a contemporary, up-to-date-sounding approach. For fans of stompy breakdowns with raw and raging fast parts that also won’t let us punks down. Artwork by Nicky Rat.

Game Legerdemain 12″

GAME’s No One Wins LP from 2019 was and is one of the best hardcore releases of the last half-decade or so, and this successor—six songs at 45rpm—is hot on its tail in that respect. The internationalist London quartet (who include Polish vocalist and Quality Control label owner Ola Herbich, and Jonah Falco of FUCKED UP, et al. on drums) have dialed up the already profound metal factor: the title cut, which opens Legerdemain, moves to a hardcore beat but is Motörcharged in that glorious early ’80s NWOBHM gumby way, Callum Baird’s guitars especially. “The Caricaturist” is the catchiest number on here, and “Shard” the chuggiest, with Nicky Rat’s bass cutting through big time. Lyrics—five songs in English, one in Polish—are political in an allusive, as opposed to directly referential, way. You won’t learn anything from Ola’s words (screenprinted on a tasty A1-sized foldout poster, by the way) but there are dozens of choice individual phrases crammed into a stone killer 12″.

Gutter Knife Boots on the Ground LP

Blending the punch and drive of O.G. hardcore in the vein of GOVERNMENT ISSUE with Oi!/UK82 sensibilities echoing bands like COMBAT 84 and the 4-SKINS, GUTTER KNIFE hails from the seaside slums of Brighton, England. These ten tough tracks range from relentless pummeling, to snotty speed attacks, to COCKNEY REJECTS-style “football” rockers, all painted with the perfect gruff and loose vocals to put em right over the top. The band wears their influences on their record sleeve, as every single song title sounds like something you might make up if joking around about “skunk” rock bands of this sort (“Hangman,” “No Justice,” and “Boots on the Ground,” for example). I mean that in the best possible way, as these guys strike all the right chords, giving France’s RIXE some stiff competition for the title of present-day Oi! Champions. Fingers crossed for more of this butter from the GUTTER.

Instructor Terror Zone LP

Released a mere two days before the end of 2022, Quality Control HQ really closed the year with a bang with this one. After an array of great 2022 releases, particularly FORESEEN’s Untamed Force LP, INSTRUCTOR’s Terror Zone made for a very suitable cherry on top indeed, the last straw in proving what an absolute powerhouse the label is. Hailing from Brussels, Belgium, INSTRUCTOR released a couple of demos in 2019 and 2020, both which had some cool tunes but nothing outstanding. Private Execution followed, a tape which was again cool, but the recording really held the band back. I wasn’t particularly impressed with anything they had put out at that point. This all changed drastically with the release of Terror Zone, a magnum opus of ignorant, good ol’-fashioned skinhead CRO-MAGS-style breakdowns, merged with other more subtle influences taken from aspects of Oi!, KICKBACK, and Rawn Beuty-era COLD AS LIFE. Make no mistake, unlike other bands (who won’t be named) doing HxC in the New York vein by taking the chorus from “Malfunction” and the main riff from “Telltale,” nothing on this LP sounds of a style heard before. I think one thing when hearing this: “Belgian skins who like the CRO-MAGS.” What more could you want? The number of American bands worshipped at FYA who desperately want to play hardcore at such an incredible level of musicianship as present here but who won’t be able to reach the heights of INSTRUCTOR is staggering. Kings, queens, and in between, none of you will want to miss this giant.

Layback Sit Down and Layback EP

Quality Control HQ continues its run of excellent releases with LAYBACK’s Sit Down and Layback, a five-song crusher taking cues from the sun-scorched late ’80s West Coast hardcore scene, specifically OC bands like PUSHED ASIDE, INSTED, and HARD STANCE. In fact, LAYBACK’s style is so dialed-in that I half-expected them to be a straightedge band themselves (a quick glance at their Instagram would suggest otherwise). I’ll say less. Go buy this album, drop the needle and do as they say: sit down and lay back. It’s not a bad way to spend a cold winter afternoon.

Mastermind The Masters’ Orders LP

After four-ish years, MASTERMIND has decided to call it a day, but not before leaving us with The Masters’ Orders, a love letter to hardcore with nods to NYHC, UKHC, and crossover. MASTERMIND comes from the same school as contemporaries BIG CHEESE and T.S. WARSPITE: gruff, throaty vocals and heavy riffs that bring to mind legends JUDGE and SHEER TERROR. Opener “Collateral Damage” is like a sampler platter of the rest of the album: pummeling double kicks, rubbery bass leads, searing guitar solos, and a menacing vocal delivery that is perfectly over-the-top. MASTERMIND has a lot of gnarly stuff happening, but their ability to change tempo and style will leave your head spinning. The breakdown on “Patience” slows to a zombie-paced sludge before being resurrected by a drum and guitar solo, while “Haunt” starts with a funky little bass line playing along to a toe-tapping beat before hurtling into a mid-tempo chug that changes speed and direction enough times for me to lose count. The overall effect is a little like being on a rollercoaster; it’s jerky and unexpected at times, but always exciting and always a good time. The hardcore scene is losing a real one with MASTERMIND, you’d be wise to catch ‘em if you can!

Payday Second to None LP

PAYDAY from London is named after the CONFRONT 7″, and nothing about them is really surprising, but it doesn’t need to be. An expertly executed mix of CONFRONT, RINGWORM, and INTEGRITY, they’ve got divebombs galore, vocals alternately growly and guttural, and plenty of riffs. “Dead on Your Feet” is my favorite track, but they’re all good, and though I wish this record was a track or two shorter, it’s a great slice of Cleveland hardcore worship sure to get all the lads moshing.

T.S. Warspite Stop the Rot LP

Leading us by the hand into a grim vision of the not-too-distant-future is the excellently named T.S. WARSPITE with their first LP Stop the Rot on Quality Control HQ. Following a stellar demo from 2020, the Manchester-based outfit plays a supercharged take on early DC melodic hardcore and modern UKHC; think BAD RELIGION and DAG NASTY but also BIG CHEESE and the FLEX. Singer Marco Abbatiello’s rumbling voice serves as the narrator, taking us through the struggles of getting through the hellscape that is modern society including politics, housing issues, and impending environmental destruction. Both incredibly urgent and scathingly intelligent, we’d be wise to listen to what these guys have to say. Standouts include “Scampia,” “Redemption Arc,” and “Slum Landlord.”

Tempter Tempter 12″

Crawling out from the deepest, darkest depths of Richmond, VA is TEMPTER, a new ensemble combining the talents of members of NOSEBLEED, DIVISION OF MIND, CANDY, and EKULU. The metal/crossover influence is strong on this mind-melting EP, taking plenty of cues from UK crust and Japanese hardcore—including the atmospheric interludes! The incredibly meaty riffs and hoarse, raspy vocals are masterfully combined with super raw, lo-fi production with plenty of reverb. These brutal tunes will have you pumping your fist and banging your head—especially the two bookenders, opener “Sacricide” and closer “Pestilence.” Highly recommended for anyone after a bit of that metallic flair in their hardcore. 

Vile Spirit Scorched Earth LP

Scorched Earth is VILE SPIRIT’s debut LP led up by a demo. I knew and enjoyed the tape, due to its similarities to UNITED MUTATION. The LP, too, contains weird, even horror-esque excipients, haunted sore-throat vocals on music so detailed it becomes an unifying entity, that behaves in various tempers throughout the record. The edge of capital hardcore is deadened by shifting the hardness of the performers on the circumstanstances they perform against/about. Which makes the music tortured, but backs up the dense sound while avoiding any ridicule. The music is heavy because life is tough, instead of the members acting jock-ish. While the vocals are laid in mid-tempo, the instruments do not slack on their layers: The drums wonder into restrained blast-beat territories; the bass is distorted into a pulp filling up all empty spaces, binding the sound as glue; the guitars avoid both metal riffage and simplified three-chord hardcore notes; rather they function as a tidal wave, both loose and large. VILE SPIRIT is playful with pace, even if the artwork suggests some kind of still-in-the-basement, emphasis-on-core ’90s metallic hardcore. Scorched Earth is not an endless loop of chugga chugga, rather they imperceptibly mix with speed, blending different moods on a scale of hyper and almost zero tempo and remain confident no matter how shaky or swampy their ground is. Lately I have lost track of UK hardcore bands, no longer know whether this is still the new or now the neo wave of British bands, but due to the different references and execution, VILE SPIRIT differs the listening experiences I recall from their peers. If you tend to feel as the creature on their cover, you just as likely to enjoy the record. It’s a solid one.

Zulu My People…Hold On cassette

This is a follow-up to the first release of Anaiah Lei’s one-man HC assault on hypocrisy and performative justice. Showing no sign of slowing down, a vicious and heavy listen that echoes the more modern PV bands (think mid-to-late 2000s) or grind that sits on the HC end of the spectrum, with tinges of youth crew coming through (especially in those massive breakdowns). A release that is thick with frustration as the opening poem, bluntly explaining the persistent hypocrisy a Black woman faces on a daily basis, sets the tone for this tape; melded together expertly with samples from the classic EDDIE KENDRICKS track of the same name, this reminds me of classics from the early West Bay grind scene, where you were just as likely to hear a sample from an old Black Panthers chant as you were to catch a horror movie snippet. Recommended and definitely one to keep an eye on.