Reviews

Radiobeat

Deep Wound I Saw It EP

The first vinyl from western Massachusetts’ DEEP WOUND. Stylistically, their songs follow one of two basic patterns—a stuttering 1000-mph thrash assault with a vague NEOS feel, or a slower, metallish approach (as in “Video Prick”). “Sick of Fun” and “Deep Wound” have strong recognizable choruses, but some of the thrashers kind of get lost in the shuffle during initial listenings.

Sorry Imaginary Friend LP

An unusual release. Sorry are able to merge thrash power, distinctive song structures, and high-quality musicianship to produce some material comparable to that of certain other bands who are pushing back the frontiers of punk. Many of their songs are too jazzy or disjointed for my taste, but others hit home with ringing guitars and poppier sensibilities (like the MEKONS’ “Where Were You”). Listen before buying unless you have broad musical interests.

The Proletariat Soma Holiday LP

A lot of Boston bands sound great, but few—if any—have the political sophistication displayed by the PROLETARIAT on their debut album. I would liken them to the early GANG OF FOUR, both musically and ideologically, though the comparison shouldn’t be overdrawn. They create equally complex structures, but they replace GANG OF FOUR’s sparseness with a full-bodied sound and punky guitar power. In fact, they’ve mixed several straightforward punk blasts (like “Torn Curtain”) in with the other stuff. A fabulous record that renews my faith in Bosstown.

V/A Bands That Could Be God LP

Paradoxically, most alternative compilations are either too monodimensional or too multidimensional to hold the listener’s interest, but this Massachusetts collection put out by Conflict fanzine’s Gerard Cosloy avoids that common pitfall by presenting diverse yet forceful bands. What we have here is basically an engaging mixture of thrash bands with special intensity and/or quirkiness (MOVING TARGETS, the OUTPATIENTS, DEEP WOUND, SORRY) and highly structured neo-psych groups (BUSTED STATUES, the FLIES, SALEM 66, BEANBAG), although they really shouldn’t be classified rigidly. CHRISTMAS is too weird for me, but some of these bands are indeed Godlike. A worthwhile investment.