Reviews

Sounds of Subterrania

Es War Mord Die Utopie der Kosmonauten LP

Third LP from Berliners ES WAR MORD, with a title that translates to “The Utopia of the Cosmonauts.” My first passive listen didn’t draw me in, but taking time with it, I found technical breaks, guitar chugging (like on “Hinterlist”) that sounds lifted from a DEAD KENNEDYS rhythm, surprising pinch harmonics, and strained vocals like a German LEATHERFACE. Mid-tempo, gruff, with some melancholic melodies and guitar solos mixed in. Truly a lot to offer, yet they are concise and super tight. “Derselbe Atem” is a good taster, if you’re not ready to dive into the fourteen tracks within. Everything’s sung in German, so I couldn’t tell you what they’re getting on about, but either way, I’m in for it.

Johnny Notebook & the 28th Century Mates Johnny Notebook & the 28th Century Mates LP

I’m a fan of punked-out synth rock, and JOHNNY NOTEBOOK & THE 28th CENTURY MATES epitomize the beeps and boops I crave. With head nods to DEVO, 8-bit sounds, and new wave, these Hamburg androids have created an album that keeps me bopping. Futuristic themes merge with retro sounds to create an album that has descended from another dimension of space and time. “Rate Me Rate Me” is incredibly danceable while exploring contemporary society’s fascination with clout, while “Dancefloor Queen” features a tight guitar solo and catchy hook. If you like electro-punk and all-night dance parties, then you have absolutely got to give this a go!

Riverhead Cancer LP

This album starts like a bomb going off and doesn’t let up for ten blistering tracks clocking in under a half hour. The furious energy is amplified by the exceptional musicianship of the Copenhagen-based members, pulling influences from punk, metal, and post-punk into a hardcore coup that pulls no punches. The precise bass lines dodge serpentine between heavy emotive guitar riffs and rapid-fire drumming. The gruff delivery of the lyrical content circling around self-doubt, world angst, and the absurdity of life brings it all together into a Camus-like concept album with poignant cover art by Liz Corso.

The Love Come On and Feel the Love LP

They come out of the gates sounding like the STOOGES and the STROKES, but then I’m thinking, “Wait, this is pop music.” Honestly, on my first go-around, I thought that there was very little garage here. I was thinking it was awesome, but I was also thinking that calling it garage was a stretch. Second time around, I’m hearing it differently. It’s intense in a way that you rarely get with pop music. I said in a review a few months back that there is regular old pop music, and then there’s pop music created by people who didn’t grow up on shit music. Fucking great record.

The Sha-La-Lee’s Garbage Dreams LP

Wow. I’m thirty seconds in and I am digging this thing. It’s got a little swampy thing going on, but there’s also some slick guitar work that’s almost surfy that has me doing a funny little shimmy dance. It’s mid-tempo and catchy as all hell. At times, it gets a little eerie and spooky. Other times, it gets a little heavier. Then it gets more straightforward. This is some good shit right here.