The Idiot / Vomit Launch Knock Youself split 7″
Both bands (the former now defunct) do the same song. One version comes out like early new wave/pop punk, while the other comes off more 60s garage psych. Fun concept.
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Both bands (the former now defunct) do the same song. One version comes out like early new wave/pop punk, while the other comes off more 60s garage psych. Fun concept.
Yet another album full of grungy, usually driving noise. Most of this is listenable, a pretty fair reflection of modern, urban bullshit.
Finally some new material, but a letdown. They’ve always been pop, but with a lot of punk punch. In this case, three of four tunes never deliver that wallop, and the other does so sparingly. Boooo!
Totally ridiculous insanity from these dorks. With songs like “Cheddar Cheese Party” and “Annoy the Cat with a Maracca,” you just can’t go wrong. Gooncore rules!
Don’t expect a simple, straight ahead punk rock record here. From the brooding, dark passages that explore into full passioned screams to their mixture of psychedelic and metal, this debut comes across as a mature, well thought-out sound. You hear something new every time you hear it.
Strong musically with almost new wave meets punk meets Three Penny Opera vocals — a more new wave DK’s? Intelligent lyrics, very tight and driving pop punk music, but the singing, though gruff at times, does detract a bit. Different.
Melodic guitar pop abounds on this album, with 60’s pop edges which add a certain charm to the proceedings. Mostly, it’s effective, though all the best hooks seem to be concentrated on Side A. Above average.
There are a couple of really good songs that have the always great combo of heavy rhythm, and melodic craziness. They maintain their own definite originality. The other songs are more of a crooning dirge which is fine, but not as fun. Overall, recommended, though.
Japanese speedcore, complete with lead breaks, mosh breaks, and every manner of instrumental self-indulgence. Good energy, but this is too close to Rock for comfort.
Pee-pee.
An animal rights/human rights approach, packaged in a large fold-out sleeve. Four buzzsaw punk tunes, some medium, some fast, all enraged and powerful. Good effort.
This fan club only release shows good command of a more tasteful speedcore style. Still, there’s a monochromatic element in the songwriting which makes this fall a bit flat, despite good energy and power. Adequate.
Hot thrash with some interesting breaks, but the lyrics take the cake, covering horns, clove cigarettes, beer, and more important topics. Song title of the month: “You Can’t Eat Marx.”
This is the version of DOGGY STYLE that contains the majority of the original members. While this record rocks, it doesn’t quite come across with the humor on first hearing. Musically, good but polished melodic fast punk. Artwork: amazing ripoff of LED ZEP II, sure to draw attention.
Despite the cheesy new wave pop record sleeve, this record has guitars that sound like annoying mosquitoes with an ugly banshee woman screaming lyrics somewhat like the best of LYDIA LUNCH. An inspiring, wild, messy, and ugly record that doesn’t stray at all near melody. Just wonderful.
This band has a big tribal beat like GUN CLUB, punctuated with heavy, fuzz soaked swoops that kind of recall the BIRTHDAY PARTY. There’s real tension throughout where it seems the band is as confused as you as to where they’re going next in the song.
Much more metallic than their demo. CLOWN ALLEY now sounds like a cross between METALLICA and C.O.C., with lyrics that range from topical to abstract. Powerful production, nice packaging, not much guitar wanking. I dig this!
On this love recording of fantastic sound quality, CERESIT delivers an onslaught of some of the best Euro-hardcore I’ve heard lately. Original, powerful, great! Get this!!
I’m a moron. The RIFLES come clear across the world to play in America, and I’m too busy to see them. Fortunately, I’ve got this live show recorded on that tour at their CBGB’s performance. Must have been an incredible show, because these tracks just blaze full of a hard-edged guitar sound.
This Bay Area band has been around for a few years and have built up a small, but growing and devoted following. Musically, it’s a tough call but I’ve a sneaking suspicion these folks think the BUTTHOLE SURFERS are too wimpy and normal. A good taste of their weirdness, and each tape comes especially packaged — some packed in chopped onions, others in old nylon stockings.
Here you can get the GROWTH’s LP, some old demos, and a recent live show all on one cassette! Good, forceful HC, especially the live material.
Okay, this album’s worth on two 7″ers is your basic, hard-to-find-today punk fucking rock. No frills, just basic driving punk with the appropriately pissed off lyrics. A big middle finger to you, too!
An interesting mixture of thrash and melodic punk with topical lyrics. “McPunks” is the standout, musically and lyrically.
Aside from the excellent version of “Release the Bats,” the BIRTHDAY PARTY is not captured to their best advantage on this release. First rate production bolsters the mid-period output of this band moderately, but the material mostly doesn’t stand out.
A great tape divided into a “then” side, 77-ish punk with reggae and pop flavorings, and a “now” side with a more HC sound, with some thrash tunes reminiscent of SOA. Excellent.
Highly percussive punk/post-punk with hot guitar slashing in and out. Sounds like a cross between early punk and some current Chicago bands — meaning delivery, loud but clean and melodic punk.
Yahoo! Great HC in the Italian tradition: powerful thrash with metallic guitar work, but much tighter than many of their peers. Excellent.
A good sampling of tunes from the APOSTLES’ vinyl offerings. A swell introduction to this English outfit’s unique sound.
ANGRY RED PLANET has developed their own unique and accessible punk style, passionate and full of immediacy, and this LP is dynamite when it connects. “Mediocrity” and “Pasturetime”, in particular, show off this hand at their best, but even the less memorable cuts tend to grow on you. Very good!
Good obnoxious punk with sarcastic lyrics. Catchy choruses, adolescent rebellious attitude. Neat stuff.
A very high energy release — this is metal-heavy hardcore without the excesses and with intelligence. Though riffs do get repetitious, the overall power is intense enough to hold your attention. Should be popular.
I was pleasantly surprised to see this witty group making just good standard trash rock with funny and biting lyrics that ring a little bit like old DELTA 5 or TV PERSONALITIES. A lotta fun, but certainly not wimpy.
This album incorporates a variety of influences (punk, BIRTHDAY PARTY post-punk, and even industrial tinges), spreads its invention too thin over the ten tracks here. What results is a punk sound with wanky edges; I only wish the whole LP sounded like the terse, disciplined title track.
Ninety minutes of acts like MDC, STATE OF MIND, A.P.P.L.E., FINAL CONFLICT, etc. all spewing out their strong lyrical sentiments. Informative booklet enclosed. Cool stuff.
A solid comp of mid-tempo garage-y punk, many with a pop influence. Twenty-five acts, all from Delaware. Pretty good.
A really cool release with garage, punk and noise cuts by BIRDHOUSE, ULTIMA THULE, and SILVER CHAPTER. All three cuts have guts and character. Comes with issue #3 of…
This split LP contains OI POLLOI from Scotland and BETRAYED. The latter play pretty unexciting but competent Oi with lyrics that range from the standard working class oppression themes to dubious calls for skinhead unity. OI POLLOI, on the other hand, rip like crazy and have lyrics that rise above the norm.
An hour’s worth of blazing punk and thrash from the likes of FALSE LIBERTY, GUILT PARADE, and many others. Another great, consistent comp from this label.
A solid comp of recent Hungarian material: punk of all speeds with varied production and intensity. Good, but not amazing.
A sampler in the true sense of the word, with 19 NJ/NY outfits playing everything from psych to speedcore to melodic pop to 77-ish punk to comedy skits! For the diverse.
An international comp featuring BLUT+EISEN, ANGRY SAMOANS, SUBHUMANS, KTMK, COC, FANG, I SPIT ON YOUR GRAVY, and lots more. Hot tracks from the DEPRAVED, NEUROTIC ARSEHOLES, FALLOUT. Many tracks previously released, but now largely unavailable.
A regional comp featuring S.O.B., BRUTUS, OUTO, DITHER, RIOT, and DORORO. Mainly hardcore, with some pop-thrash and a bit of slower music. S.O.B., OUTO and RIOT are my faves.
A four-band project. LES GNOMES have a hard-hitting but quirky thrash/punk sound that’s distinctive without getting pretentious. DAMES are an all-femme band that have an English pop-punk sound with a slight post-punk flair. BARON ROUGE has a ’79 English arty punk sound that still has power. ZOI are a mid-temp band that occasionally lurch into thrash, all with SIOUXSIE-like vocals. Good variety on all tracks.
This 90-minute sampler of HC and noise punk from Wisconsin contains no less than 30 songs from the likes of CHARMING DEVIANTS, IDK, 10-96, U.S. DISTRESS, and JOHN ADRIAN. Lyric booklet included.
While this label put out the great Surfin’ in the Midwest compilation, this sampler suffers from a little too much of the “folk rock” sound and not enough of the great 60s garage fuzz. Still, some respectable tracks from UNCLE AND THE ANTEATERS and DAYBREAKERS.
Current garage sleaze from both the U.S. and Europe featuring LES THUGS, CANNIBALS, LEGENDARY GOLDEN VAMPIRES, SICK ROSE and much more. One of the best neo-60s series going.
A good follow-up to their 7″ featuring the same quirky yet melodic thrashers, funky moments, some good material, and lots of the ol’ saxophone. Their slower moments get dull and gothic sounding, but the fast ones are really fun.
The metal-punk on this release crosses the Offensive Barrier, at least for me. Basic speedcore riffs, crunching lead breaks, and sub-par songwriting combine to make for four songs distinguished only by their relative speed and energy.
Metalcore with songs like “Motor Maiden,” “I Hate the Bitch,” and “Kill em All,” etc. Draw your own conclusion.
One of the greatest of all UK bands is given another long-shot chance to become the next BEATLES on this 12″, which contains disciplined but enjoyable versions of four of their terrific songs. UNDERTONES fans (and I know there are lots of them) should snap this one up, and fast.
Garage-y punk and thrash from these USELESS PIECES OF SHIT. Lots of songs, grungy production, stupid punk at its best, or is that worst?
