Agathocles

Reviews

Agathocles / III Guerra split EP

Mallorca’s III GUERRA opens this split with some no-frills hardcore punk that has the old school attitude with a relatively modern sound. Shouty vocals drenched in delay sit on top of guitars with perfectly dialed-in distortion and gnarly bass with a strict sense of duty, while the drums punch their way through the mix. This side sounds like getting hit in the face with a concrete block that is so perfectly cut that you don’t really get mad about it. But once you get to the mincecore pioneers AGATHOCLES’s side, the sound definition degrades dramatically. It sounds as if the band recorded their side through a single AirPod’s shitty microphone, but decided to place it even closer to the hi-hat this time around. But hey, if you have any prior experience with this band, you should have seen it coming from a mile away. So, that’s kind of on you if you have any complaints. To be honest, I’m not well-versed in AGATHOCLES’ discography—I mean, who even has time for that??—but it sounds like they incorporated a tongue-in-cheek parody of Oi! punk into their sound to celebrate their bajillionth split. Yay?

Agathocles / Yacöpsae Very Old Shit split LP

No false advertising here, this is indeed very old shit from both bands. The YACÖPSAE side is remarkably consistent in recording quality for a collection of 30-plus-year-old tracks, though you are going to get way more of a “mid-’80s German hardcore punk band in the practice room” feeling than you will their insane, speed-obsessed final form. There’s a couple songs that set foot into the blastbeat zone and scream of things yet to come, but overall, you get a lot more punky tupa-tupa than you see from the lads these days. Being firmly in the YACÖPSAE camp in terms of preference, I enjoyed their side way more. I found it interesting hearing them sound like they could have become an altogether different band from these recordings, an alternate universe version where YACÖPSAE went more straight-up hardcore punk. The AGATHOCLES side varies wildly in quality almost from track to track; you can tell these are from a lot of different recordings and they definitely dip below the “listenable enough” line a few times. You get very primitive-sounding mincecore, from probably one of the best documented bands in the history of the planet. The vibe on this side is more along the lines of a band working out their shit to become what we all know them to be, and that I just found less compelling. Overall, this is for the diehards, kind of inessential truth be told, but maybe something people interested in the history of the bands or with a love of that “we brought a boombox to record our band practice” sound will find value in.

Agathocles / Malicious Algorithm split EP

I know that I should know better by this point, but every time I see a new AGATHOCLES split, my first reaction is always “wow, another one?”— I’m sure I’m not alone here. And usually, right before I throw it on, I always assume that this EP will be the one where they start phoning it in; that their side of the slab will be a bit of a bore or lazy or unimaginative or what have you. However, once the record starts spinning, I wonder why I ever doubted them at all. AGATHOCLES always delivers, and such is the case with their new split with California’s MALICIOUS ALGORITHM. AGATHOCLES strays a bit from their classic mincecore styling, opting for a slower, sludgier sound. MALICIOUS ALGORITHM plays brutal, lightning-fast powerviolence, but also with a classic grind influence as the guitars and blastbeats pair exceptionally well together. Both bands sound different enough to make this a quality split.

Agathocles / Shitload split cassette

AGATHOCLES pumps out raw, unhinged mincecore sounding like it was recorded in a public toilet. Nasty, brutish, and short, each of their 25 tracks on this split is a punch to the face. Some tracks, like “Porcelain A,” fold some of that sweet D-beat into the mix. All of it has that trademark snare drum/cymbal overload and growling, political vocals you’d expect from these veterans. Then, taking a huge swerve into another dimension, SHITLOAD starts blasting straight-up migraine fuel. The second of their seven tracks of dissonance and shouting is entitled “Kazoos, Whistles, Feedback and Noise.” I appreciate when things are labeled precisely as what they are. I don’t even know what to compare this stuff to, but I do love their track titles. My favorite is “Brah, You Shoulda Seent Da Looks People Were Givin Me When I Wore My Mawbid Angel Shirt With Da Sleeves Cut Off In Rouse’s.”