D. Sablu

Reviews

D. Sablu No True Silence LP

In that cursed year 2020, CASUAL BURN’s David Sabludowsky put out a cool tape on which he played nearly everything. Taken By Static dipped its beak into a gamut of styles, ranging from in-the-red garage to new wave-y romantic swooners to sassy cheap-synth punk. There’s even a couple of sensitive ballads. It was almost a throwback, like a mixtape from when Terminal Boredom was a going concern. It showed promise, but was too scattered to leave a lasting impression. Well, it’s four years later, and D. SABLU’s got a band now. Coming correct outta New Orleans, No True Silence cranks the amps and goes for broke, recalling local legends like KAJUN SS. Although the music brings the aforementioned swamp-dwellers to mind, and even POISON IDEA on “Scandalous,” the general outlook doesn’t revel in the nihilism inherent in those bands. Sabludowsky acquits himself well on the mic, especially on the faster tunes, where he lets loose a scratchy wail. The album hits a peak during the five-song run where all the titles start with the letter “S.” “Spiral Out” pushes faster and faster, building up a head full of steam in search of a release that never comes. “Smut Date” could be a LIVEFASTDIE song, which is all I really need in life. You too, whether you know it or not. Stack these guys up to any of the new crop of Aussie rockers and crawfish country ain’t doin’ half-bad.

D. Sablu Odds & Ends cassette

D. SABLU is on a streak lately, recording wild, weird one-man-and-drum-machine tunes at home before taking it to the stage and fronting a shit-hot live band, playing the most economical but explosive sweat-stained garage punk. I’ve yet to see him live, but I can feel the perspiration already. But when, oh when, will we get a proper D. SABLU record? These short tape releases are just not enough! Taken By Sleep, the first release under the D. SABLU name, was a sleeper hit in the chaotic year of 2020, and has been followed up by two more cassette releases of demos and live sets. This one follows the same path, with two at-home demos of David and a drum machine, along with a recent live set, with the band tearing into a cover of RUDIMENTARY PENI’s “A Blissful Myth.” Now which one of you cowards is gonna put out a record for them?!

D. Sablu “Live” For Tour cassette

Classic punk from the ’77 UK and ’74 Ohio schools, but naturally, it sounds exactly like neither because the real punks keep making the shit sound new and important (because it is important, of course). I can’t even imagine how hard it is to restrain yourself enough to make music like this. Every fukkn song feels like it wants to just let it fly, and I want to listen to HELLNATION when it’s over just so I can hear something fast. But that’s the point, and these New Orleans freaks nail it. Even when they go fast on “So Sorry,” the freakout is so controlled and I love it. Mutant garage punk at the absolute top of their game…and to be fair, they pretty much let it all fly on “Parody,” that one is a full release. Full swagger, full strut, full stomp, total punk.

D. Sablu Taken by Static cassette

New Orleans, LA is home to David Sabludowski, who fired up a Yamaha MT400 multitrack cassette recorder and cranked out a wild eleven-song demo under the condensed moniker of D. SABLU. Taken By Static has a bit of everything going on in it so I’m having somewhat of a difficult time saying exactly what it sounds like. There are some faster electronic/new wave tunes on it that are super cool, a couple really blown-out and nasty revved up garage punk songs, some slow, meandering pretty things, oh, and a song or two that could debatably be passed off as lost OH SEES demo tracks. A wild ride I will be buckling in for again and again.